https://alan-mcfetridge.com/newsblog daily 0.75 2024-12-21 https://alan-mcfetridge.com/newsblog/los-angeles-fires-urban-growth monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/d8997243-2438-48ab-af3b-a11d40441b0f/los-angeles-wildfires-urban-growth.jpg blog - The Los Angeles Fires: A Tale of Cities on the Edge - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://alan-mcfetridge.com/newsblog/cep monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/7957081a-26f3-4846-8a3b-ece21e95233b/AM_Tasmania_Smoking_Field.jpg blog - A New Home : Join Me at the C.E.P. - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://alan-mcfetridge.com/newsblog/wennington monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/104ea0e7-d0f8-47dc-b428-8db854419ae3/220722_Wenington_Fire_02_D.jpg blog - Dormant Legacy of Fire in the British Landscape - Make it stand out Plume and Kestral, Wennington, 2022 © Alan McFetridge https://alan-mcfetridge.com/newsblog/metalablerelease monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/3a2cde52-5985-4877-9055-b2d925b82521/Screen%2BShot%2B2020-03-31%2Bat%2B20.40.22.jpg blog - On The Line - Upcoming Release on Metalable, Late 2024 - Make it stand out Above: On The Line - Photobook: Signed and Numbered Edition, H: 394mm x W: 330mm https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/afd0492c-05e1-4d27-85c9-0356233010cb/A-letter-from-Robert-Adams.jpg blog - On The Line - Upcoming Release on Metalable, Late 2024 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/7c687c02-cff3-4830-b763-5be0c8294ae8/OTL_pafes_for_Promo_2.jpg blog - On The Line - Upcoming Release on Metalable, Late 2024 - Make it stand out Above: Page 3. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/f7010114-5583-4dc2-81ad-4d0e6f49e366/1.jpg blog - On The Line - Upcoming Release on Metalable, Late 2024 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/6da03d15-8b6c-4e49-86f4-fe072475d326/14.jpg blog - On The Line - Upcoming Release on Metalable, Late 2024 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/ec108b10-137f-45c9-abab-30ecc35fdf09/6.jpg blog - On The Line - Upcoming Release on Metalable, Late 2024 - Make it stand out Above: pages 4 & 5. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/834214df-788a-46db-8611-f04f19e69ee1/CF051704.jpg blog - On The Line - Upcoming Release on Metalable, Late 2024 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/9d7f861e-fc1b-488d-b854-b319ee219605/CF051705.jpg blog - On The Line - Upcoming Release on Metalable, Late 2024 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/d7490cb0-b722-45fa-9123-e41394dda68f/CF051706.jpg blog - On The Line - Upcoming Release on Metalable, Late 2024 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://alan-mcfetridge.com/newsblog/nationalportraitgallery-j6xfx monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/58fba2c3-889c-4b2e-b29e-6d01eeac3f68/ELS_08052023_Audrey_Green_Gallery_NPG_11.jpg blog - National Portrait Gallery & Audrey Green, London. - Make it stand out Above: National Portrait Gallery and Audrey Green Cafe, Trafalgar Square, London June 2023. Photograph by Alan McFetridge 2023. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/82d61765-3df4-45ef-b6e3-84718567328d/ELS_08012023_Audrey_Green_Gallery_NPG_06.jpg blog - National Portrait Gallery & Audrey Green, London. - Make it stand out Above: Audrey Green Cafe, left to right: Margot Fonteyn by Angus McBean (1951) remastered to 1293mm x 1092mm, Audrey Hepburn by Bassano Ltd. (1950) remastered to 1724mm x 1373mm, Marie Rambert by Lord Snowdon (1976) remastered to 1395mm x 1000mm. All prints are archival ink on baryta-coated 100% cotton paper. Photographed by Alan McFetridge 2023. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/fa4465e8-0304-461e-920f-696f2de15a3b/ELS_08012023_Audrey_Green_Gallery_NPG_05.jpg blog - National Portrait Gallery & Audrey Green, London. - Make it stand out Above: Audrey Green interior with George Harrison in Miami by Sir Paul McCartney (1964) printed to 2400mm x 3600mm. Photograph by Alan McFetridge 2023. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1691848971137-TLBT4ZY2M1I51XB3OI2Y/Exteriors_1_Master_A.jpg blog - National Portrait Gallery & Audrey Green, London. - Make it stand out National Portrait Gallery’s Audrey Green Entrance: Audrey Hepburn by Cecil Beaton (1963) remastered to 1628mm x 1450mm. Photograph by Alan McFetridge 2023. https://alan-mcfetridge.com/newsblog/sophiajournal monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/ce6da08f-b7b6-4e55-87b8-4583d830770d/SOPHIA-XVII_FINAL.jpg blog - Songs of the Dead | Peer Reviewed in Sophia Journal Sophia Journal’s third cycle main theme is “Landscapes of Care” with an overall interest around contemporary photography on how architecture can help a broken planet. The concept of “Landscapes of Care” has increasingly been adopted by diverse areas of study, from health geography to the arts and architecture. It allows us to understand architecture, city and territory as living and inclusive organisms, constituted by multifaceted landscapes with complex social and organisational spatialities which embody the difference and the other, the strange, the unfamiliar, the indigenous, the human and the non-human. It intends to understand how the photographic/imagery universe can be explored as a meaningful instrument of research about the multifaceted complex socioeconomic, political, historical, technical and ecological dimensions of architecture, city and territory that testify, question or emerge from relationships of care. Above: Front Cover Sophia Journal Volume 7 Issue 1 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/d44439a5-3f06-4c70-958d-3b01fcd172f5/160714_Pyro_2.jpg blog - Songs of the Dead | Peer Reviewed in Sophia Journal - Make it stand out Above: The dance song begins. Pyrograph by ©Alan McFetridge. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/893e5174-5788-485a-8bb9-013b7ea9f167/170122_My_Blood_is_Related_to_Them_.jpg blog - Songs of the Dead | Peer Reviewed in Sophia Journal Above: My blood is related to them. Photography by ©Alan McFetridge. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/67d2a766-79e4-48c1-a331-1ee31091640d/170322_The_Heart_of_Earth_is_Gold.jpg blog - Songs of the Dead | Peer Reviewed in Sophia Journal Above: The heart of the Earth is gold. Photography by ©Alan McFetridge. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/ebf94b17-9ffd-4c7d-a042-c5672f952da7/160714_Pyro_1.jpg blog - Songs of the Dead | Peer Reviewed in Sophia Journal Above: The dance song ends. Pyrograph by ©Alan McFetridge. https://alan-mcfetridge.com/newsblog/willsteffen monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/86cd88ff-e2eb-46fa-a7c2-f94e14ecf14e/Will-Steffen-Mar-2011_banner2.jpg blog - Will Steffen - Moe mai rā e te Rangatira. - Dr Will Steffen 25 June 1947 - 29 January 2023 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/e3daa4b1-428a-4264-ba72-fba359aef026/The_Earth_seen_from_Apollo_17.jpg blog - Will Steffen - Moe mai rā e te Rangatira. - Earth as A Single System Pyrogram 08 by Alan McFetridge - CEP https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/3263bf3b-c043-4577-8c47-bff397267c60/347_1259855_fa.jpeg blog - Will Steffen - Moe mai rā e te Rangatira. - PLANETARY BOUNDARIES Above: Current status of the control variables for seven of the planetary boundaries. The green zone is the safe operating space, the yellow represents the zone of uncertainty (increasing risk), and the red is a high-risk zone. The planetary boundary itself lies at the intersection of the green and yellow zones. Planetary Boundaries states that there are critical limits or boundaries in the Earth's environment beyond which human activities could severely alter the planet's functioning and negatively impact its ability to support life. Nine planetary boundaries were identified, including climate change, loss of biodiversity, ocean acidification, and others, and human activities have already exceeded several of these boundaries. The theory calls for a new paradigm in human development that recognizes the limits to growth imposed by the Earth's environment and seeks to maintain these boundaries for sustainability. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/f4cc1745-86ff-44a2-96d1-20c4258ba9c2/Day12_p.jpg blog - Will Steffen - Moe mai rā e te Rangatira. - Kooraban National PArk, Jan 2020. The landscape near the township of Cobargo, NSW, recorded temperatures of over 1300C. Hot enough to shatter granite boulders and bake stone. Clean-up crews at the time explained that it was equivalent to a thermo nuclear device. Photograph by Alan McFetridge January 2020. https://alan-mcfetridge.com/newsblog/fundraiser monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1671019170774-UGMKNFVWIVJPF1DDMRW7/06_306x539_A.jpg blog - Print Sale - Fundraiser: - Dead Reckoning #1 Pyrogram 08 by Alan McFetridge - CEP https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1671019159755-K1CXVF84DJM6TU876X7Z/08Master_306x539_A_Flat.jpg blog - Print Sale - Fundraiser: - Dead Reckoning #2 Fund Raising | Special Open Edition - Single Image Only: 29cm x 17cm Archival Grade Paper - 310g Unframed © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1671016898371-Z3G4FIIKEEO4MUXFBHQV/Dead+Reckoning+%233 blog - Print Sale - Fundraiser: - Dead Reckoning #3 Fund Raising | Special Open Edition - Single Image Only: 29cm x 17cm Archival Grade Paper - 310g Unframed © Alan McFetridge https://alan-mcfetridge.com/newsblog/mariannbrandtaward-germany monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/6b22cddd-ee6e-4ac3-9231-b11c3fccf555/MAR_nominee-button_2022_EN.jpg blog - Award Nomination | 8th International Marianne Brandt Award & Festival Weekend - 8th International Marianne Brandt Award Pyrogram 08 by Alan McFetridge - CEP https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/fbffa8cf-eaa8-49e6-9538-dc9d3589fca1/AM_This_Is_A-Cry_Of_Distress_And_A_Human_Cry_1920px.jpg blog - Award Nomination | 8th International Marianne Brandt Award & Festival Weekend - Make it stand out Award Entry : This Is A Cry of Distress, and a Human Cry from Songs of The Dead | photograph by Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/5feb1792-11ad-439c-9011-df860ca7395c/MBpti.jpeg blog - Award Nomination | 8th International Marianne Brandt Award & Festival Weekend - Make it stand out Marianne Brandt https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/da4a381d-cf60-429e-be35-df94615be79b/werkstatt_w.jpeg blog - Award Nomination | 8th International Marianne Brandt Award & Festival Weekend - Make it stand out The metal workshop in weimar 1923; in: Staatliches Bauhaus in Weimar 1919–1923, Weimar/München, undated, p.107 https://alan-mcfetridge.com/newsblog/fallingwalls monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/8b02efbe-a229-4266-8b0b-0ae70535e128/Falling_Walls.jpg blog - Award Nomination | Falling Walls Science Breakthrough of the Year in Art and Science - FALLING WALLS Pyrogram 08 by Alan McFetridge - CEP https://alan-mcfetridge.com/newsblog/corinne-nordenboos monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1666109003659-U37N82QCB6C8C9HQ5UDA/CN19880815_Cornwall-kopie.jpeg blog - Our Education & Social Response Programme Begins With Celebrated Dutch Educator and Photographer Corinne Noordenbos - CORINNE NOORDENBOS Pyrogram 08 by Alan McFetridge - CEP https://alan-mcfetridge.com/newsblog/writing-as-reciprocity monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/27122089-e6cb-4281-8d3d-fc19ee5ba810/160714_Pyrogram_08c_Master.jpg blog - Writing as Reciprocity - by Emma McLoughlin - Make it stand out Pyrogram 08 by Alan McFetridge - CEP https://alan-mcfetridge.com/newsblog/ukfire monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/a84d06a6-9133-44aa-bdfa-62a15a3b0295/220722_Wenington_Fire.jpg blog - Serenade, I never knew I needed you until I almost went insane. - Make it stand out Fire Mosaic, 2022. London. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/b3680f36-f57c-4e09-90a5-670010f6ff2b/Satelite_Image_11-July---2-Aug-2022.jpg blog - Serenade, I never knew I needed you until I almost went insane. - Make it stand out London Landscape Colours - July 18 -22, East London. 2022. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/9235310b-d579-43a8-8dab-d6600802a9ee/East-Anglia---Satelite_Image_11-July---2-Aug-2022_A.jpg blog - Serenade, I never knew I needed you until I almost went insane. - Make it stand out UK Landscape Colours - July 18 -22, Eastern British Isles, 2022. https://alan-mcfetridge.com/newsblog/collaboration monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/bedd8157-5c29-443f-86c4-0422ec5f617c/201118_Fire_Lines.jpg blog - Being Part of The [Fire] Conversation - Make it stand out Fire Lines, 2019 © Alan McFetridge. Archival waxed inkjet Print 100cm x 125cm Indigenous Australians have developed sophisticated relationships with fire over tens of thousands of years. Click image for more of our study of Landscape Fire in Australia. https://alan-mcfetridge.com/newsblog/earth-day-reflections monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/88afccff-dd3a-4f6e-b666-fae5f2257146/170129_FortMc_New_Sub_Div_Master_B.jpg blog - Earth Day Reflections - Make it stand out I Am Weary of the Poets, 2017 © Alan McFetridge https://alan-mcfetridge.com/newsblog/fire-from-a-different-perspective monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/fa740be0-cdde-4ea3-94a4-9fa6459b7ace/220414_4bands_EO_FMM.jpg blog - Fire from a Different Perspective - Make it stand out Four Sheets in the Wind, 2022, © Alan McFetridge https://alan-mcfetridge.com/newsblog/two-more-seats-at-the-table monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/f65f60c7-0521-49bf-add7-638060b677c0/211012_Firegram_1.1.jpg blog - Two More Seats at the Table - Make it stand out Firegram #1, 2016. Limited Editions of 6 Prints plus 1 x AP Pigment Ink on Waxed Archival Paper. 58cm x 77cm https://alan-mcfetridge.com/newsblog/take-a-stroll-with-us-walking-without-a-camera-jad5x monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/8ebecab3-91fd-4175-a24b-47bba0c96e91/AM_Robin_Hood_Hillock.jpg blog - Take a stroll with us: walking without a camera - Make it stand out Hillock of Robin Hood Gardens. December 2021© Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/f3834b2a-12f0-471c-af10-8f3cc3951c59/AM_Robin_Hood_View_from_Hillock.jpg blog - Take a stroll with us: walking without a camera - Make it stand out Westerly view from the Hillock of Robin Hood Gardens. December 2021© Alan McFetridge https://alan-mcfetridge.com/newsblog/the-team-continues-to-grow monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/f2299589-1dcf-4ea5-a790-e36a34a3e3e3/AM_Pink_June2021.jpg blog - The Team Continues to Grow! - Make it stand out Infinity (Working Title), 2019. © Alan McFetridge https://alan-mcfetridge.com/newsblog/disobedience-to-the-earth-now-available-as-a-podcast monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/b7a707b2-d1df-4dea-8d1e-e47332dc934b/AM_DeadEnd_100_resized.jpg blog - Dis/obedience to the Earth - Now available as a podcast! - Make it stand out In One Form Upon This Earth, 2017. 100cm x 125cm © Alan McFetridge https://alan-mcfetridge.com/newsblog/east-london-superlab-now-open-zp295 monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/a5535c5b-fbdf-4145-8bf1-37ba356265b7/211214_ESL_Interior_03.jpg blog - East London Superlab | NOW OPEN - Make it stand out Above: Print Studio https://alan-mcfetridge.com/newsblog/new-assistant-roles-in-ecological-philosophy-research-and-photography-lmeyk monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1623924914417-SXCSCCO5OOZEEGQXMC9W/Tears+in+Silence%2C+2020 blog - We are Hiring: Six New Roles for Ecological Research and Photography - Make it stand out Tears in Silence, 2020 © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/49b013a2-dc23-486f-9b53-bfc85959a9ed/kickstart-scheme-email-signature.png blog - We are Hiring: Six New Roles for Ecological Research and Photography - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://alan-mcfetridge.com/newsblog/special-announcement-east-london-superlab-launch-event-l4b2s monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/9591a49c-fc80-4f79-a653-cd3053165d90/MChimp_02-1.png blog - Special Announcement | East London Superlab | Launch Event - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://alan-mcfetridge.com/newsblog/a-seasons-greetings monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/31dadfbf-8161-4c43-88ee-1f45e4714800/211412_Clearwater_River_Iced_Master_Digital.jpg blog - As We Trek Forward | A Festive Note From The Studio - Make it stand out I am Indeed a Ghost, 2017 ©Alan McFetridge https://alan-mcfetridge.com/newsblog/whose-responsibility-is-it-anyway monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/63c687b4-3b14-467e-a3fc-c52aecfe1731/Inventors+of+New+Values+.jpg blog - Whose Responsibility Is It Anyway? - Make it stand out Inventors of New Values, 2016 © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/d7654eab-43ae-4d78-8965-d84c085b3d2d/A+Riddle+is+it+Still+this+Dream%2C+2016.jpg blog - Whose Responsibility Is It Anyway? - Make it stand out A Riddle is it Still this Dream, 2016 © Alan McFetridge https://alan-mcfetridge.com/newsblog/cpppttu3pto0eqa47de2phynqivurt monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/fda1c65a-f9f2-489d-ab76-a99ec757b7f5/AMC_WFWSWE_164.jpg blog - “Survival of The Fittest” - Make it stand out Crossing the Lands, 2017 © Alan McFetridge https://alan-mcfetridge.com/newsblog/raising-awareness-what-works-and-what-doesnt-work monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/bc1f928f-69cf-460e-a428-d3efb4342b8e/AM_DeadEnd_106-%281%29.jpg blog - Raising Awareness: What Works, and What Doesn’t? - Make it stand out Know Your Own Species Best, 2017 © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/ec3a4271-a53f-4047-b113-413111682279/AM_DeadEnd_091.jpg blog - Raising Awareness: What Works, and What Doesn’t? - Make it stand out The Heart of Earth is Gold, 2017 © Alan McFetridge https://alan-mcfetridge.com/newsblog/the-centre-for-ecological-philosophy monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/a4073236-3dcc-41a1-9de7-d074dcdcccca/Double.jpg blog - The Centre for Ecological Philosophy - Make it stand out Remnants of a Golfball and Bugs exposed to heat from the Megafires across South Eastern Australia during 2019 - 2020 https://alan-mcfetridge.com/newsblog/anthropology monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1259fad1-206f-40fe-bdf6-04d86f04c66e/AMC_WFWSWE_044.jpg blog - Visual Culture and The Ecology of Art - Make it stand out The Straight Crooked, 2017. Large Format Composite Digital, 150cm x 187cm. © Alan McFetridge https://alan-mcfetridge.com/newsblog/disobedience-to-the-earth-by-university-of-westminster-interfaith-team monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/eff9ae95-5d9a-4c7e-90b3-46f0dee7f0ea/24.jpg blog - ‘Dis/obedience to the Earth’ by University of Westminster Interfaith Team - Make it stand out Firegrams, 2016 © Alan McFetridge / Combustion Series, Boreal Forest, Fort McMurray, Canada. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/3dda3f4a-ee85-4bd2-a1ca-df2fcb41db5c/20.jpg blog - ‘Dis/obedience to the Earth’ by University of Westminster Interfaith Team - Make it stand out Firegrams, 2016 © Alan McFetridge / Combustion Series, Boreal Forest, Fort McMurray, Canada. https://alan-mcfetridge.com/newsblog/now-you-can-become-a-patron monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/e1896320-c6df-428c-9aed-cb958fe34399/ALA_0218_Menai_554_meters.jpg blog - Now you can become a Patron via Patreon - Make it stand out Artifacts and Landscapes from Menai, New South Wales, Australia https://alan-mcfetridge.com/newsblog/photoforum-review-2bcdl monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/32b85813-c75b-4c60-ab74-829e086d353f/AM_BlackSpruce_2020.jpg blog - On The Line Reviewed by Photoforum NZ - Make it stand out Black Spruce (Picea Mariana), 2016 - Framed Edition https://alan-mcfetridge.com/newsblog/monograph-dead-end-monograph-announcement monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1634563370861-U6LWBJGLMO2WQJ7E7WRR/AM_DeadEnd_025.jpg blog - Crude, Cataclysmic and … Manufactured? How the Horse River Fire continues to inform our upcoming monograph - Make it stand out True to the Last Cinder, 2016 © Alan McFetridge https://alan-mcfetridge.com/newsblog/new-assistant-roles-in-ecological-philosophy-research-and-photography-tdb6z monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1624876210207-BUW2CUQPJT9GBCCCK1UI/PrixPictet.jpg blog - 5 Nominations for the Prix Pictet, The Global Award for Photography and Sustainability - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://alan-mcfetridge.com/newsblog/territory-at-beverley-art-gallery-uk-with-rps-ipe-162-rxym4-rkdk2-974sm-tmtxk-c67cx-an9ea monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1612950126137-I6NEMWRP78FSPTHXYAMS/149310.jpeg blog - Artist Member of Gallery Climate Coalition https://alan-mcfetridge.com/newsblog/territory-at-beverley-art-gallery-uk-with-rps-ipe-162-rxym4-rkdk2-974sm-tmtxk monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1607949587757-VALWMIR0LKAO5RPKLUCF/AM_Junction-of-the-Buchan-and-Snowy-Rivers%2C-Gunaikurnai-Country-c2020.jpg blog - Wonder + Dread, New Works in Exhibition at Shoalhaven Region Gallery, NSW Junction of the Buchan and Snowy Rivers, Gunaikurnai Country (1881- 2020), 2020, pigment ink print, diptych: 32.6 × 113cm. https://alan-mcfetridge.com/newsblog/territory-at-beverley-art-gallery-uk-with-rps-ipe-162-rxym4-rkdk2-974sm monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1607537820302-YBIEFIPAKHKDBWLANVWW/British_Library_2.jpg blog - On The Line: featured in the British Library Christmas Blog https://alan-mcfetridge.com/newsblog/territory-at-beverley-art-gallery-uk-with-rps-ipe-162-rxym4-rkdk2 monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1601314287331-C6JQJPKOCFE4NX84Z16K/Dead+End blog - Territory at Oriel Gallery, Theatr Clwyd, UK with RPS, IPE 162 Dead End, 2017 © Alan McFetridge https://alan-mcfetridge.com/newsblog/if-not-us-then-who-prints-for-communities-fund-raising monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1603116987709-T4Y1UZPHVJC80XIYE3LQ/Screen+Shot+2020-10-19+at+15.15.55.png blog - If Not Us Then Who, Prints for Community Fund Raising https://alan-mcfetridge.com/newsblog/territory-at-beverley-art-gallery-uk-with-rps-ipe-162 monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1601313833592-NN9SZOO9REZM85IK2J6V/AM_DeadEnd_002.jpg blog - Territory at Beverley Art Gallery, UK with RPS, IPE 162 The Last Man, 2017 © Alan McFetridge https://alan-mcfetridge.com/newsblog/fotobokfestival-oslo-2020-september-10-september-20-2020 monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1600955353129-CZY4UYRIRV2FTOB1ENZH/OTL_pafes_for_Promo.jpg blog - On The Line at Fotobokfestival Oslo 2020 Photograph above by Tor Simen Ulstein https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1600955523817-PLPCORKNTAGEWS5C72MX/IMG_5303.jpg blog - On The Line at Fotobokfestival Oslo 2020 https://alan-mcfetridge.com/newsblog/event-in-conversation-16-june-at-the-rps-with-dr-michael-pritchard-hkr3b monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1597073125836-2OO32QB9X5G3NQ1CGE27/Poster_2.0_LR.jpg blog - Event: On The Line Book Launch and Screening, 25 August, London https://alan-mcfetridge.com/newsblog/event-in-conversation-16-june-at-the-rps-with-dr-michael-pritchard monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1591876537677-EVG4KU7MDOMLAEVP5KA3/AM_DeadEnd_046_NoCopy.jpg blog - Event: In-Conversation at the Royal Photographic Society with Dr Michael Pritchard, 16 June https://alan-mcfetridge.com/newsblog/the-journal-royal-photographic-society-235s9-3dffb-kkejz-ckfgb monthly 0.5 2026-05-19 https://alan-mcfetridge.com/newsblog/the-journal-royal-photographic-society-235s9-3dffb-kkejz monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/04e7903d-0a2b-4ff2-9757-a8dcdc4cc64d/12-alan-mcfretridge-postgraduate-tpa-rps-environmental-bursary-2016.jpeg blog - Artist Talk: Royal Photographic Society, Bristol, U.K. 22 March 2020 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://alan-mcfetridge.com/newsblog/the-journal-royal-photographic-society-235s9-3dffb monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/2aa36239-06bc-404d-916e-8c04fac88904/160624_Oka_St_1-Master.jpg blog - Event: Artist Talk, Kindness Symposium at Norwich University of the Arts, 13 January 2020 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://alan-mcfetridge.com/newsblog/the-journal-royal-photographic-society monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1567600255085-M4PXYMHUXPF9V4X7V601/RPS_Sep19_McFetridge.jpg blog - Feature: The Journal, Royal Photographic Society https://alan-mcfetridge.com/newsblog/exhibition-5-30-september-london monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1567077170457-AGRVJ1720HBXGHW51WJK/Invite_5_September_McFetridge_WEX_Website.jpg blog - Exhibition: Dead End: 5 - 30th September 2020, Wex PHOTO London https://alan-mcfetridge.com/newsblog/book-launch-amp-exhibition-sydney-july-25th-6-august monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1561071080086-U1L5YR4XOL3OAAQGCIAZ/Invite_25_July_Interactive.jpg blog - Book Launch and Exhibition: Wedge Gallery, Sydney, July 25th - 6th August. https://alan-mcfetridge.com/newsblog/the-guardian-feature-gallery-2 monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/f3395bde-4b01-4b6b-9d58-6998b1c2e17f/Screenshot+2021-11-11+at+15.59.01.png blog - Feature: The Guardian, "After the fire: signs of life amid the ashes" - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://alan-mcfetridge.com/newsblog/exhibition-london-a6z5f-xzelz-w67kw monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1528422375581-C1TS9JUDSE2GICORMG45/RPS_Jun18_McFetridge-1a.jpg blog - Interview and Feature: Royal Photographic Society, The Journal, June 2018. https://alan-mcfetridge.com/newsblog/exhibition-london-a6z5f-xzelz monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1524087126877-KY3XJXUF9X3R1SZA5YVI/RPS_a.jpg blog - Feature: Royal Photographic Society Photograph: Black Spruce, Highway 63, Alberta. October 2016 © Alan McFetridge https://alan-mcfetridge.com/newsblog/exhibition-london-a6z5f monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1514704437754-H9ZQ2T82PX2SCT4Z4TYL/AMC_WFWSWE_008.jpg blog - Environmental Awareness Project: Now With The Story Institute Tower Road, Anzac, Alberta. February 2017 © Alan McFetridge https://alan-mcfetridge.com/newsblog/somerset-house-instagram-takeover-593kp monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1505891246860-886ILC9G0XCI7WQCX9Z9/764_RPS_OCT_2017_BURSARY.jpg blog - Feature and Exhibition: The Royal Photographic Society Journal https://alan-mcfetridge.com/newsblog/somerset-house-instagram-takeover monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1489926425495-Z02WTPYDRISKB44LXO4A/Firebag_1.jpg blog - Feature: Somerset House Instagram Take Over https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1489926424792-7JGGUQ2MFKUMM01B4MD5/Firebag_2.jpg blog - Feature: Somerset House Instagram Take Over https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1489926429236-TQMWZJGU93JKE6DYVCWC/Firebag_3.jpg blog - Feature: Somerset House Instagram Take Over https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1489926429260-4RNCCW7STJ3IO803TXJZ/Firebag_4.jpg blog - Feature: Somerset House Instagram Take Over https://alan-mcfetridge.com/newsblog/syngenta-conserve-and-growth-exhibition-london monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1486446714744-SZ7Y84SX1N1UIPL72UQC/image-asset.jpeg blog - Exhibition: Somerset House, London Bad Liver and a Broken Heart. 2016. 80cm x 100cm https://alan-mcfetridge.com/newsblog/new-commission-by-yorkshire-sculpture-park monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1485461806740-M06LXKL8E97U10TYU4PP/image-asset.jpeg blog - Feature: New Commission by Yorkshire Sculpture Park https://alan-mcfetridge.com/newsblog/2016/10/22/2016-environmental-bursary-royal-photographic-society monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1484529427358-J96SUV004R2A588BJXZT/Clearwater+River%2C+Alberta%2C+Canada blog - Royal Photographic Society Environment Bursary 2016/17 https://alan-mcfetridge.com/newsblog/2016/6/17/lebook-berlin-2016-creative-awards-nomination monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1466159678848-0V2CN5WZR3Y10DXBX225/image-asset.jpeg blog - LeBook Berlin 2016 - Creative Awards Nomination Gun Crazy, 2016 https://alan-mcfetridge.com/newsblog/2016/4/7/new-work-from-otago-new-zealand monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1469551191877-PFV79KDSEA76GHK6QHWY/image-asset.jpeg blog - New Work https://alan-mcfetridge.com/newsblog/2016/4/7/8ctsb2l451xx5r1gzxv6fyma79z1tq monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1460019668655-D3A7ZWTE3E94KAIBD3BC/image-asset.jpeg blog - Exhibition at The Gallery, Norwich University of the Arts Fuck, 2010. 90cm x 98.5cm. Giclee print on archival paper Edition of 20 ( Alan & Gretchen ) https://alan-mcfetridge.com/newsblog/2016/4/7/exhibition-flat-15-12-balfron-tower-east-london monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1460018639534-7OU8IKGR3IF8QFNNFSGI/image-asset.jpeg blog - Exhibition Invitation: Flat 15 | 12, Balfron Tower, East London. Installation images of Flat 12 & 15 https://alan-mcfetridge.com/newsblog/2016/4/5/cvw2ok1sqdnngpb4c71d3p42gg5bqw monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1459938799455-P1U651T4YI152KSH2VL0/140825_OS_A6_2.0.jpg blog - Exhibition in Balfron Tower and New Portraits https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1459874569456-QBVSLXCGQ1FCWZCUK0J1/image-asset.jpeg blog - Exhibition in Balfron Tower and New Portraits Agnieszka Budlewska, Finance Analyst; Rosey Povey, Communications Assistant; James Lane, Chargehand caretaker; Renee Berkhout, Charity Sector & Explorer; Alex Smith, Artist, James Lander and those who wish to remain anonymous, Artist Alan McFetridge, Photographer; Alex Neumayer, Artist; Kimberly McIntosh, Student; Filipa Guimaraes, Artist; Peter Hose, Communications Intern; Darius Smitas, Caretaker. https://alan-mcfetridge.com/newsblog/2016/4/5/new-photography-exhibitions-and-assignments monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1459865285731-7DHD6RIJ8IXJB1AIR96A/image-asset.jpeg blog - New Photography | Exhibitions | Assignments James Lander and Izabela Szczepanska, 2014 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1459865014567-F7FYEH4KTVZ8SUVYBTCI/image-asset.jpeg blog - New Photography | Exhibitions | Assignments Fuck, 2010. 90cm x 98.5cm. 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Seed Stories | Genocide, Truth Telling & Displacement - Make it stand out Left to Right: Photographs by Tyler Eash, Joesph Barrett, & Carlotta Cardana. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/d76d6934-3221-4faa-aba6-045b49ac4936/JB_27_1_b.jpg Events - Seed Stories | Genocide, Truth Telling & Displacement - Make it stand out Photographs by © Joseph Barrett. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/62e98f06-5dba-4793-9986-923b82e93c79/CC_TRRP_04_2shot.jpg Events - Seed Stories | Genocide, Truth Telling & Displacement - Make it stand out Photographs by © Carlotta Cardana https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/547b275a-3e25-4752-ada3-e8d7612b1aee/TE_IMG_5906.jpg Events - Seed Stories | Genocide, Truth Telling & Displacement - Make it stand out Photographs by © Tyler Eash https://alan-mcfetridge.com/contact daily 0.75 2024-12-21 https://alan-mcfetridge.com/legal daily 0.75 2020-11-01 https://alan-mcfetridge.com/social-response-ask-us-questions daily 0.75 2021-11-11 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/985189eb-796e-49e9-9957-32f3b0108cc8/AMC_WFWSWE_096.jpg Take Part - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/985189eb-796e-49e9-9957-32f3b0108cc8/AMC_WFWSWE_096.jpg Take Part - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://alan-mcfetridge.com/participant-information daily 0.75 2021-11-10 https://alan-mcfetridge.com/local-data-protection-privacy-notice daily 0.75 2021-08-10 https://alan-mcfetridge.com/social-response-ask-us-questions-1-1 daily 0.75 2021-11-01 https://alan-mcfetridge.com/participant-information-1 daily 0.75 2021-09-14 https://alan-mcfetridge.com/local-data-protection-privacy-notice-1 daily 0.75 2021-09-14 https://alan-mcfetridge.com/about daily 0.75 2026-05-18 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/b1632559-0e9b-4964-956c-662ed19f36bc/ALan_McFetridge_2026.jpg Alan McFetridge Biography | Photography, Ecology and Landscape Fire https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/f3460e5a-5b52-463a-a61e-072202c396c7/AMC_WFWSWE_023.jpg Alan McFetridge Biography | Photography, Ecology and Landscape Fire - Make it stand out Firegram -2, 2018. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/3c1d810a-cba3-4437-9995-248ccc8bc4cc/AMC_WFWSWE_024.jpg Alan McFetridge Biography | Photography, Ecology and Landscape Fire - Make it stand out Firegram -1, 2018. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/13a14e9e-ef86-4a65-bfc6-056c060f351e/AMC_WFWSWE_025.jpg Alan McFetridge Biography | Photography, Ecology and Landscape Fire - Make it stand out Firegram 2, 2018. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/414edc94-bfb5-49fc-b0e5-dddeaaf228fe/alan-mcfetridge-fire-north-studio-portrait-2026.jpg Alan McFetridge Biography | Photography, Ecology and Landscape Fire - Make it stand out Alan McFetridge with My sorrow comes at dawn, 2017 From Fire North: Book One, Fort McMurray, Alberta, Canada. Studio portrait, 2026. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/dfc11210-ecdc-4050-b651-917f7468bac6/alan-mcfetridge-practice-chronology-2013-2023.jpg Alan McFetridge Biography | Photography, Ecology and Landscape Fire - Make it stand out Alan McFetridge, practice chronology, 2013–2023 Mapping fieldwork, publications, exhibitions, awards, nominations and the development of the Centre for Ecological Philosophy. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/f3460e5a-5b52-463a-a61e-072202c396c7/AMC_WFWSWE_023.jpg Alan McFetridge Biography | Photography, Ecology and Landscape Fire - Make it stand out Firegram -2, 2018. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/3c1d810a-cba3-4437-9995-248ccc8bc4cc/AMC_WFWSWE_024.jpg Alan McFetridge Biography | Photography, Ecology and Landscape Fire - Make it stand out Firegram -1, 2018. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/13a14e9e-ef86-4a65-bfc6-056c060f351e/AMC_WFWSWE_025.jpg Alan McFetridge Biography | Photography, Ecology and Landscape Fire - Make it stand out Firegram 2, 2018. © Alan McFetridge https://alan-mcfetridge.com/anthropology2 daily 0.75 2021-11-10 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/bca0c422-37d8-49b0-a743-733501d7deb0/5.jpg Horse River Fire - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/489c7d23-8b2a-49ac-a87d-0484cedd5124/4.jpg Horse River Fire - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/523e86ac-1267-44e8-87f7-5a4b6dcd0646/OTL_CIP_2.jpg Horse River Fire - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/040b0a5a-611a-4f3f-a2c5-38cf0b921ab1/6.jpg Horse River Fire - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/bca0c422-37d8-49b0-a743-733501d7deb0/5.jpg Horse River Fire - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/489c7d23-8b2a-49ac-a87d-0484cedd5124/4.jpg Horse River Fire - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/523e86ac-1267-44e8-87f7-5a4b6dcd0646/OTL_CIP_2.jpg Horse River Fire - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/040b0a5a-611a-4f3f-a2c5-38cf0b921ab1/6.jpg Horse River Fire - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://alan-mcfetridge.com/participant-information-2 daily 0.75 2021-11-10 https://alan-mcfetridge.com/news daily 0.75 2024-02-09 https://alan-mcfetridge.com/on-the-line daily 0.75 2023-10-02 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1606933499630-6N6F1ER7ZR50H2STPT4R/AM_OTL_Grid_2020_1500.jpg On The Line (2016 -2017) - ADD Title (Copy) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/efbdfffa-ee73-4d72-875c-d934328d3ef1/4.jpg On The Line (2016 -2017) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1586856586916-C5608RJ7M2KFS6PLXHZ4/AM_BlackSpruce_2020.jpg On The Line (2016 -2017) - On the line, 2019. Detail: frame texture and print. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1603369065709-7WKWF5I8FPVTF2LRF8GI/AM_OTL_Grid_2020_1500.jpg On The Line (2016 -2017) Set of 9: 1830mm x 1500mm https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/efbdfffa-ee73-4d72-875c-d934328d3ef1/4.jpg On The Line (2016 -2017) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1586853296926-Q1ND8HJ7V1JVLUSVF1X6/160714_Tree_06_575x460_Screen.jpg On The Line (2016 -2017) © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1586853000540-QF98AE1DF72EIZS0NCR4/160714_Tree_04_575x460_Screen.jpg On The Line (2016 -2017) © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1586852826973-VFVL231ET7H0EMIETE6Z/160714_Tree_02_575x460_screen.jpg On The Line (2016 -2017) © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1603360784343-MHKPBK0GVNS29L2PEZLL/Aftermath On The Line (2016 -2017) Still frame at 03:35 - On The Line. Super 8mm film transferred to video (colour, silent), 4:48min, looped. 2017 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1586853279732-1JGPIYXA8RJK9FF5WHHV/160714_Tree_05_575x460_Screen.jpg On The Line (2016 -2017) © Alan McFetridge https://alan-mcfetridge.com/custom-printing-copy daily 0.75 2022-01-05 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/4ae15925-d2d1-449b-90ce-39ee37b279d7/211214_ESL_Interior_03.jpg Custom Printing - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/4ae15925-d2d1-449b-90ce-39ee37b279d7/211214_ESL_Interior_03.jpg Custom Printing - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://alan-mcfetridge.com/super-heat-2022 daily 0.75 2022-08-15 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/c414853a-3c6e-47ed-bf8a-56b949a35266/2016-07-01-true_cropped.jpg Super Heat 2022 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/550de42f-af4e-475d-b933-8b86e0cfb4bc/2016-05-02-true_cropped.jpg Super Heat 2022 - Make it stand out The first plumes of smoke southeast of Fort McMurray on 2 May 2016. Within the next 48 hours, the fire became supercharged, creating a fire cloud that released lightning up to 20 kilometres away. Soon after the satellite passed over this region, all 80,000 residents of the urban service centre were evacuated with little or no warning. © Alan McFetridge, CEP and ESA https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/c414853a-3c6e-47ed-bf8a-56b949a35266/2016-07-01-true_cropped.jpg Super Heat 2022 - Make it stand out 1 July 2016, the fire then spread over 589,000 Hectares in 30 days © Alan McFetridge, CEP and ESA https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/9105a5a2-ae1f-4270-a15d-ae11db7ef15c/2017-02-16-true_cropped.jpg Super Heat 2022 - Make it stand out Mid-winter, 16 February 2017. The burn scar remains visible as the burnt forest tree canopy has altered. Holdover fires, fires that continue to smoulder under snow cover during the winter and reappear the following spring - could become much more common with more peat fires. © Alan McFetridge, CEP and ESA https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/d2be0475-b3dd-42b6-873c-189e041027ad/2017-05-27-true_cropped.jpg Super Heat 2022 - Make it stand out 27 May 2017. 12 months later, the landscape appearance shows the burn scar, recovery and indication that 12 months earlier, it was much drier as the brown earth shows through.\ © Alan McFetridge, CEP and ESA https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1657801424237-DY5Y8QSTIOCPC6I5OZY2/london.jpg Super Heat 2022 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1657801423735-OVXCM57UH0UZWT2TVITN/Athens.jpg Super Heat 2022 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1657801428713-0O6TKOLEH5DAJF0UJTL1/paris.jpg Super Heat 2022 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1657801427595-EF5KJLY8A0KTB91AB3NS/Sydney.jpg Super Heat 2022 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/fa740be0-cdde-4ea3-94a4-9fa6459b7ace/220414_4bands_EO_FMM.jpg Super Heat 2022 - Make it stand out Four Bands, 2019 © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/5957857d-8905-4578-a228-e4cdc4ce8477/Songs+of+The+Dead_Partnershships_01.jpg Super Heat 2022 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://alan-mcfetridge.com/mallacoota-golf-country-club daily 0.75 2024-11-12 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1731405975766-8PHUZ1RTRTKUAVF5URB3/AM_GolfBall_Website_03.jpg Golfball, Shadows and Dust - AM_GolfBall_Website_03.jpg Found Golf Ball on the Mallacoota Golf and Country Club, January 2020. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/4d243c1b-b79d-4414-af3f-00a23926e3cc/AM_GolfBall_Website_03.jpg Golfball, Shadows and Dust Golfball, Shadows and Dust 2020. 140cm W x180cm H © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/4d243c1b-b79d-4414-af3f-00a23926e3cc/AM_GolfBall_Website_03.jpg Golfball, Shadows and Dust Golfball, Shadows and Dust 2020. 140cm W x180cm H © Alan McFetridge https://alan-mcfetridge.com/pyrocology daily 0.75 2024-12-01 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1670695571658-9MGFBT9JZ7MTU4YM5FKA/AM_03a.jpg Pyrocology https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/07d06f75-7c89-427b-9c61-118f4004b0cc/AM_03.jpg Pyrocology Earth Shadow Rising, 2022. 110cm x180cm © Alan McFetridge https://alan-mcfetridge.com/dormant-legacy-of-fire-in-the-british-landscape-2022-copy daily 0.75 2025-08-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1732206363834-J90S29OV0JL2CHG9CJ33/220722_Wenington_Fire_02_D.jpg Dormant Legacy of Fire in the British Landscape (2022) (Copy) - 220722_Wenington_Fire_02_D.jpg (Copy) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/813f37b1-dc12-4e23-aa73-ccb72ac52589/220722_Wenington_Fire_02_D.jpg Dormant Legacy of Fire in the British Landscape (2022) (Copy) Funeral Plume and Kestral. Wennington, 2022 © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/759a36b5-a530-44bc-a65e-3070fc888f1d/220722_Wenington_Fire.jpg Dormant Legacy of Fire in the British Landscape (2022) (Copy) - Make it stand out No Barren Cycle is This, 2022 © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/632dd3d3-e2ef-4002-9a05-c63167809e86/220722_Wenington_Fire_03.jpg Dormant Legacy of Fire in the British Landscape (2022) (Copy) - Make it stand out I Took The Clay Track, 2022 © Alan McFetridge https://alan-mcfetridge.com/hiring daily 0.75 2026-05-19 https://alan-mcfetridge.com/store daily 0.75 2024-12-13 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1543331549941-7T8TEZ4AZ9AOK0RNRH9R/160714_Tree_05_Master.jpg Gallery - Tree Portrait Series, Fort McMurray, Canada. November 2016 Tree Portrait Series, Fort McMurray, Canada. November 2016. Isolated trees, 6 months after the wildfire showing partial wildfire burns. https://alan-mcfetridge.com/store/photography monthly 0.5 2026-05-19 https://alan-mcfetridge.com/store/workshops-lectures-discussion-food monthly 0.5 2026-05-19 https://alan-mcfetridge.com/store/p/egvraprh4p2yawv7tv6pp25b93uu3g-rbapk monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613292606-FEXOP540NWBDF1JGL0ET/17.jpg Gallery - Firegrams, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613282052-3X2704LNGFSRP4MPC0A9/06.jpg Gallery - Firegrams, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613301011-N25ODMITCLFD04BYVJ1B/26.jpg Gallery - Firegrams, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613299137-3AME5IHX1K51IJKTDIEK/23.jpg Gallery - Firegrams, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1543344667705-2ZXHOOF21VIL5293OZ87/01.jpg Gallery - Firegrams, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613291351-TYDCOXK34RJMBC49HSLN/15.jpg Gallery - Firegrams, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613304784-6EPKHOSUIKWDWQYRRJIQ/32.jpg Gallery - Firegrams, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613279401-CR9VBYAEF9J980M4DM7V/02.jpg Gallery - Firegrams, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613286075-UXS89E5K027SFAZNBXCC/09.jpg Gallery - Firegrams, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613289759-3SDJZ7DZ0V0QSUULDFY2/14.jpg Gallery - Firegrams, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613296083-U7DRYHIAMJWYS0CKODQU/20.jpg Gallery - Firegrams, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613302368-Z9EBLBEVTUAEZ0KIYYKP/28.jpg Gallery - Firegrams, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613295183-UK5XUJZW59OML1F7UPZB/18.jpg Gallery - Firegrams, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613305664-UYZ3UXGEDT5JXGV5ZN0V/33.jpg Gallery - Firegrams, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613289548-UKYZGMOTUY7QYWOB5QHP/13.jpg Gallery - Firegrams, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613280142-YYNN5R898SSB26KFL0VZ/03.jpg Gallery - Firegrams, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613292222-SZ4DRC3O1WLYTNDLZP8L/16.jpg Gallery - Firegrams, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613281922-41WUEI4LWOT1DQ1VZS35/05.jpg Gallery - Firegrams, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613283837-BFNG2OYMDIENINMO47P6/07.jpg Gallery - Firegrams, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613297644-X7QB36P3YFI9R0KIPI2G/22.jpg Gallery - Firegrams, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613283717-SISBB71P2VQXH9YGLIMZ/08.jpg Gallery - Firegrams, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613285762-HSF6GQW4CJ6P1J8HQ21N/10.jpg Gallery - Firegrams, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613300282-PPJH7B9W0T46OMGRGFY5/25.jpg Gallery - Firegrams, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613303515-V26ZPED25EFRRRFB41WH/30.jpg Gallery - Firegrams, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613297954-1UTHXV7YEYGQQ8LXW0C3/21.jpg Gallery - Firegrams, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613304527-EEOEGER5J7XA0FABAF6Z/31.jpg Gallery - Firegrams, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613287191-IHGY3DSEOR3A4WD2RSC6/11.jpg Gallery - Firegrams, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613299882-Y0MV8EDKK117ZETTGMQO/24.jpg Gallery - Firegrams, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613280536-CTSGRR5BHXFOAORL7IE8/04.jpg Gallery - Firegrams, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613301872-ZAXF09IPMMIXOC2YEOQ0/27.jpg Gallery - Firegrams, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613303139-SJRQSHB9THGEIF4EWW5P/29.jpg Gallery - Firegrams, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613288182-S4ZC9YRTIIM50EYYP23B/12.jpg Gallery - Firegrams, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613295113-CO3MP8HVFMTSLS2U8R4G/19.jpg Gallery - Firegrams, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://alan-mcfetridge.com/store/p/egvraprh4p2yawv7tv6pp25b93uu3g-cxhtf monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1605201915831-ZH5HGVF9B0YALYJF5HXX/201101_Creation_4b.jpg Gallery - I Am Transforming, 2020. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1605201911519-HVOZS5CUOMEX679C48F4/201101_Creation_1.jpg Gallery - I Am Transforming, 2020. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1605201913107-2WE57014LJQ2VJRXOETU/201101_Creation_3.jpg Gallery - I Am Transforming, 2020. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1605201920334-7AJQLCD82GBQJ90DDZRE/201101_Creation_6.jpg Gallery - I Am Transforming, 2020. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1605201935048-8R6L288PPAOXZTXOH1SI/201101_Creation_7.jpg Gallery - I Am Transforming, 2020. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1605201937125-1FP2Y0KKCXRY86IITFKJ/201101_Creation_8.jpg Gallery - I Am Transforming, 2020. https://alan-mcfetridge.com/store/p/egvraprh4p2yawv7tv6pp25b93uu3g-6gj9l-ad88l-tmbd7-7bstj monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1586847643390-MEN7D6JOCIE7T4I2QAXL/AM_DeadEnd_004.jpg Gallery - Violence to All Things, 2017. - Syncrude Tar Sand Refinery, Milred Lake, Alberta, Canada. Februa This photograph stands in front of a 183 metre high smoke stack, with the electricity supply to the Syncrude oil refinery in the foreground. The vapour seen contains amonia, hydrogen sulphide, sulphuric acid and xylene. Hydrogen sulphide is the main environmental issue, as it contains levels exceed the provincial air quality guidelines 1,870 times. According to the 2010 Wood Buffalo Environmental Association. Hidden inside the boreal forest, at remote Lake Mildred, is the beginning of that massive energy infrastructure. The scale, smell, and sight are saddening to witness and out of sight for most to contemplate. To provide a sense of scale, a 2012 upgrade alone cost C$1,460,000,000.00. The same year Canadian Oil Sands said it plans to maintain its current quarterly dividend of 30 Canadian cents per share during 2012. What does that show the next generations?This tar sand refinery is the largest emitter of greenhouse gases in Canada and belongs to the consortium Syncrude Canada Ltd. The 183-meter high smokestack shown here releases over 13 Million tonnes of CO2 equivalent per year into the atmosphere. Including Ammonia, Sulphuric Acid, and Xylene. Tar sand refineries are big dirty polluters - this is less than half of the problem as they supply demand from consumers through existing and future infrastructure. We use it and abuse it. In the U.S. 2.7 gallons (10.2 liters) per person per day is consumed. With CO2 levels in the atmosphere already at the highest levels in 400,000 years. The question behind this is the role of leadership in averting certain catastrophe and mass extinction. Imagine the effect of India’s fossil fuel consumption averaging the same rate as the U.S. The population is 3.8 times larger and the average consumption per person is currently at 0.15 gallons (0.56 liters) per day. https://alan-mcfetridge.com/store/p/egvraprh4p2yawv7tv6pp25b93uu3g-6gj9l-ad88l-ms59k monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1586847100095-DCMPJY6RFBV1A9ICPLEE/AM_DeadEnd_100.jpg Gallery - Old Ground II, 2017 HyperFocal: 0 https://alan-mcfetridge.com/store/p/egvraprh4p2yawv7tv6pp25b93uu3g-dcmrz monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613273517-GTFLCYBOW929WLCI7S6C/_3.jpg Gallery - Cryograms, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613267249-Y2XP71ST082LRTAHLXIL/_2.jpg Gallery - Cryograms, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613277172-B6BOG5PSDMRZLGJFTRWE/_6.jpg Gallery - Cryograms, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613273552-G0PV009JIQE3NBD42BOP/_4.jpg Gallery - Cryograms, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613267368-8MPERXBJ2SSYBWUCNLP4/_1.jpg Gallery - Cryograms, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613276913-AFD48015TEIV8CF69JM0/_5.jpg Gallery - Cryograms, 2016 - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://alan-mcfetridge.com/store/p/egvraprh4p2yawv7tv6pp25b93uu3g-6gj9l-ad88l-tmbd7-ec6y2-mbnbj-antl7 monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1585997470876-APLCUSNPEYLZF6UDI4E8/OIP.jpeg Gallery - Shipping Charge https://alan-mcfetridge.com/store/p/notepads monthly 0.5 2025-09-05 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1556607242332-HFYBLK69UWFPPD5QSZXM/notepads_group_rows.jpg Gallery - Postcards from Alberta https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1556607012824-LPMFDKIOR79W7229Q8G9/Postcards_Stack_Twist.jpg Gallery - Postcards from Alberta https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1556587629879-PJKJOWVEHJ2LN8G13SB1/Notecards_high_block.jpg Gallery - Postcards from Alberta https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1556576043793-ZIP6NYS5UTZB93HW3UZR/AMC_WFWSWE_008.jpg Gallery - Postcards from Alberta - 100 Townsend Dr, Anzac, AB T0P 1J0, Canada. Feburary 2017. 100 Townsend Dr, Anzac, Alberta, Canada 2017: Firmly within the interior of the boreal is, 415kms north of Edmonton, is Anzac (pop. 763). A quiet community surrounded by ancient forest. A normal North American 3-bed bungalow sits red-fenced and surrounded by sublime boreal forest. Paradoxically, human habitation also moves into the opposite direction, further into remote wildland. Small pocketed communities are a concern for fire suppression aid and receiving advanced fire warning systems in North America. Emile Zola, wrote a famous editorial in the La Tribune 8 October 1868, at the time questioned city parks value. Arguing that green spaces are against the nature of the city. He wrote several pages of sarcasm directed at the consumptive city dwellers for a new square in Paris, “it looks like a bit of nature that did something wrong and has been imprisoned” Zolas agoraphobic contempt for the park within the urban environment was clear. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1556576055335-RF45UVXY9IA24KVVUVGO/AMC_WFWSWE_015.jpg Gallery - Postcards from Alberta - AOSTRA Rd, Tar Island, AB T0P, Canada. Feburary 2017. AOSTRA Rd, Tar Island, AB T0P, Canada. Feburary 2017. Between December and March, the water on Ruth Lake becomes thick enough with ice to drive across. Mid winter tempuratures can reach below -40C Here, 26 kilometers north of Fort McMurray and 6 kilometers south from the Suncor Tar Sand Oil Refinery, Aostra Road links the accommodation site Noralta Buffalo Lodge to the main refinery and further west to fueling stations such as Green Leaf Fuel, the Pheonix Lodge and eventually an area restricted to the public. Aerial maps show large-scale tailing ponds and industrial scale prospecting. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1556576063699-01V7YH3DNCAYBJVH9XZ4/AMC_WFWSWE_032.jpg Gallery - Postcards from Alberta - Tower road, Fort McMurray, Canada. November 2016 Tower Road, Fort McMurray, Alberta, Canada, 2016: Motorhomes are common, low cost means for temporary or newly settled workers in Fort McMurray. Propane is affordable, additional sealing and insulation are applied to the windows and around the chassis. Fort McMurray, 435kms from Edmonton, with is size, it is easy to forget how remote the geography is. 70,000 permanent residents have moved here since 1960. An additional transient 'shadow' population 42,000 workers are supported. By Zola's account, this is true punishment. If an ecological frontier exists, the journey north proves a pattern of invasive human behavior (not exclusive to Canada). Pressure from accelerated human endeavor has abbreviated the Holocene epoch by some 20,000 years. Condensed to a mere 10,700 years. A group of geologists has been accumulating evidence since 2009 to prove this. The Working Group on the Anthropocene (WGA) has narrowed the beginning of this horrifying truth and a new epoch, the Anthropocene, to between 1951 and 1953. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1556576072503-I83UXUOCJ9C2MN4OWMPO/AMC_WFWSWE_046.jpg Gallery - Postcards from Alberta - Syncrude Tar Sand Refinery, Milred Lake, Alberta, Canada. Februa Syncrude Oil Refinery, Tar Island, Alberta, Canada. It was the end of the road alright. The mechanical bowel and totem to the scourge of the earth in Alberta’s tar sand operations. Madness quipped from the top of a 183 meter high Syncrude oil refinery smokestack, so thick I could taste the insanity 20kms away. Before consumption (another story), the process of upgrading raw tar sand into high-grade synthetic oil puts 34 million tonnes of CO2 equivalent into the purified boreal air annually. Exceeding the provincial air quality guidelines 1,870 times. By area, equivalent in size to Greece, a 149,000 sqkms lease makes Canada's Oil reserves ripe and abundant to plunder. Canada is the worlds 3rd largest supplier of oil. Predominantly by 'non-conventional extraction' methods. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1556576075468-WCB2TNJ8M2CPJK15J0MB/AMC_WFWSWE_057.jpg Gallery - Postcards from Alberta https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1556576093085-CKC31E3PJ805KA2E1P95/AMC_WFWSWE_118.jpg Gallery - Postcards from Alberta - Tree Portrait Series, Fort McMurray, Canada. November 2016 Tree Portrait Series, Fort McMurray, Canada. November 2016. Isolated trees, 6 months after the wildfire showing partial wildfire burns. https://alan-mcfetridge.com/store/p/egvraprh4p2yawv7tv6pp25b93uu3g-6gj9l-ad88l-p6bse-dlcwg monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1556416016500-OQ2WY9AEYZSO1L6CIQZ6/AM_Bulk_of_the_Treasure_Buried_Here.jpg Gallery - Treasure Island Series, 2019. Bulk of the Treasure Buried Here, October 2018 - North West of Lanzarote in the Canary Islands is an islet known as La Graciosa. It bears a remarkable resemblance to Treasure Island in Robert Louis Stevenson’s novel of the same name. Remotely located in the Atlantic Ocean with strong currents and shorelines of few beaches and treacherous craggy rocks abound. The titles in this series are taken from the map drawn by the Scottish author to accompany the 1883 adventure novel as the islet prepares to bury an unwanted treasure. Today La Graciosa is accessible by boat and part of a UNESCO World Heritage Nature Reserve of islets and marine area. The volcanic landscape is predominately undisturbed by humans with a few unsealed tracks for tourists and caretakers of the reserve. Without a natural water supply, island life is assisted with desalinated water piped from neighbouring Lanzarote and a frequent ferry service bring tourists and supplies up to 10 times a day. The population is 700. UNESCO says the region is “an authentic outdoor museum”. It is also a focal point for sea plastic to land ashore. Ocean currents carry discarded plastic from Africa and Europe here. Alex Rivera, a biologist with the World Wildlife Fund (WWF) collects 4500 - 6000kgs of large plastics annually - before they break down, become brittle then crumble into the food chain as dangerous micro plastic. This has prompted building a plastic recyling station to cope with the waste. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1556416021295-SK3VDFQWMV8LWF9W9FYK/AM_Cape_of_the_Woods.jpg Gallery - Treasure Island Series, 2019. Cape of The Woods, October 2018 - North West of Lanzarote in the Canary Islands is an islet known as La Graciosa. It bears a remarkable resemblance to Treasure Island in Robert Louis Stevenson’s novel of the same name. Remotely located in the Atlantic Ocean with strong currents and shorelines of few beaches and treacherous craggy rocks abound. The titles in this series are taken from the map drawn by the Scottish author to accompany the 1883 adventure novel as the islet prepares to bury an unwanted treasure. Today La Graciosa is accessible by boat and part of a UNESCO World Heritage Nature Reserve of islets and marine area. The volcanic landscape is predominately undisturbed by humans with a few unsealed tracks for tourists and caretakers of the reserve. Without a natural water supply, island life is assisted with desalinated water piped from neighbouring Lanzarote and a frequent ferry service bring tourists and supplies up to 10 times a day. The population is 700. UNESCO says the region is “an authentic outdoor museum”. It is also a focal point for sea plastic to land ashore. Ocean currents carry discarded plastic from Africa and Europe here. Alex Rivera, a biologist with the World Wildlife Fund (WWF) collects 4500 - 6000kgs of large plastics annually - before they break down, become brittle then crumble into the food chain as dangerous micro plastic. This has prompted building a plastic recyling station to cope with the waste. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1556416123978-F2GNS71VBXKWTW983MDC/AM_Haulbowline_Head.jpg Gallery - Treasure Island Series, 2019. Haulbowline Head, October 2018 - North West of Lanzarote in the Canary Islands is an islet known as La Graciosa. It bears a remarkable resemblance to Treasure Island in Robert Louis Stevenson’s novel of the same name. Remotely located in the Atlantic Ocean with strong currents and shorelines of few beaches and treacherous craggy rocks abound. The titles in this series are taken from the map drawn by the Scottish author to accompany the 1883 adventure novel as the islet prepares to bury an unwanted treasure. Today La Graciosa is accessible by boat and part of a UNESCO World Heritage Nature Reserve of islets and marine area. The volcanic landscape is predominately undisturbed by humans with a few unsealed tracks for tourists and caretakers of the reserve. Without a natural water supply, island life is assisted with desalinated water piped from neighbouring Lanzarote and a frequent ferry service bring tourists and supplies up to 10 times a day. The population is 700. UNESCO says the region is “an authentic outdoor museum”. It is also a focal point for sea plastic to land ashore. Ocean currents carry discarded plastic from Africa and Europe here. Alex Rivera, a biologist with the World Wildlife Fund (WWF) collects 4500 - 6000kgs of large plastics annually - before they break down, become brittle then crumble into the food chain as dangerous micro plastic. This has prompted building a plastic recyling station to cope with the waste. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1556416078542-0JMJ6VV6874726ES27ZL/AM_Hereabouts_Ben_Gunn_and_J_Hawkins_met.jpg Gallery - Treasure Island Series, 2019. Hereabouts Ben Gunn and J. Hawkins Meet, October 2018 - North West of Lanzarote in the Canary Islands is an islet known as La Graciosa. It bears a remarkable resemblance to Treasure Island in Robert Louis Stevenson’s novel of the same name. Remotely located in the Atlantic Ocean with strong currents and shorelines of few beaches and treacherous craggy rocks abound. The titles in this series are taken from the map drawn by the Scottish author to accompany the 1883 adventure novel as the islet prepares to bury an unwanted treasure. Today La Graciosa is accessible by boat and part of a UNESCO World Heritage Nature Reserve of islets and marine area. The volcanic landscape is predominately undisturbed by humans with a few unsealed tracks for tourists and caretakers of the reserve. Without a natural water supply, island life is assisted with desalinated water piped from neighbouring Lanzarote and a frequent ferry service bring tourists and supplies up to 10 times a day. The population is 700. UNESCO says the region is “an authentic outdoor museum”. It is also a focal point for sea plastic to land ashore. Ocean currents carry discarded plastic from Africa and Europe here. Alex Rivera, a biologist with the World Wildlife Fund (WWF) collects 4500 - 6000kgs of large plastics annually - before they break down, become brittle then crumble into the food chain as dangerous micro plastic. This has prompted building a plastic recyling station to cope with the waste. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1556416150670-VC6XY9HLPQ5FL04NVALB/AM_Mizzen_Mast_Hill.jpg Gallery - Treasure Island Series, 2019. Mizzen Mast Hill, October 2018 - North West of Lanzarote in the Canary Islands is an islet known as La Graciosa. It bears a remarkable resemblance to Treasure Island in Robert Louis Stevenson’s novel of the same name. Remotely located in the Atlantic Ocean with strong currents and shorelines of few beaches and treacherous craggy rocks abound. The titles in this series are taken from the map drawn by the Scottish author to accompany the 1883 adventure novel as the islet prepares to bury an unwanted treasure. Today La Graciosa is accessible by boat and part of a UNESCO World Heritage Nature Reserve of islets and marine area. The volcanic landscape is predominately undisturbed by humans with a few unsealed tracks for tourists and caretakers of the reserve. Without a natural water supply, island life is assisted with desalinated water piped from neighbouring Lanzarote and a frequent ferry service bring tourists and supplies up to 10 times a day. The population is 700. UNESCO says the region is “an authentic outdoor museum”. It is also a focal point for sea plastic to land ashore. Ocean currents carry discarded plastic from Africa and Europe here. Alex Rivera, a biologist with the World Wildlife Fund (WWF) collects 4500 - 6000kgs of large plastics annually - before they break down, become brittle then crumble into the food chain as dangerous micro plastic. This has prompted building a plastic recyling station to cope with the waste. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1556416207928-FRJKXONG5KQEKEQENLJM/AM_Rum_Cove.jpg Gallery - Treasure Island Series, 2019. Rum Cove, October 2018 - North West of Lanzarote in the Canary Islands is an islet known as La Graciosa. It bears a remarkable resemblance to Treasure Island in Robert Louis Stevenson’s novel of the same name. Remotely located in the Atlantic Ocean with strong currents and shorelines of few beaches and treacherous craggy rocks abound. The titles in this series are taken from the map drawn by the Scottish author to accompany the 1883 adventure novel as the islet prepares to bury an unwanted treasure. Today La Graciosa is accessible by boat and part of a UNESCO World Heritage Nature Reserve of islets and marine area. The volcanic landscape is predominately undisturbed by humans with a few unsealed tracks for tourists and caretakers of the reserve. Without a natural water supply, island life is assisted with desalinated water piped from neighbouring Lanzarote and a frequent ferry service bring tourists and supplies up to 10 times a day. The population is 700. UNESCO says the region is “an authentic outdoor museum”. It is also a focal point for sea plastic to land ashore. Ocean currents carry discarded plastic from Africa and Europe here. Alex Rivera, a biologist with the World Wildlife Fund (WWF) collects 4500 - 6000kgs of large plastics annually - before they break down, become brittle then crumble into the food chain as dangerous micro plastic. This has prompted building a plastic recyling station to cope with the waste. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1556416308840-PJ4KPGUIXJRLADHY83ZZ/AM_Skeleton_Island.jpg Gallery - Treasure Island Series, 2019. Skeleton Island, October 2018 - North West of Lanzarote in the Canary Islands is an islet known as La Graciosa. It bears a remarkable resemblance to Treasure Island in Robert Louis Stevenson’s novel of the same name. Remotely located in the Atlantic Ocean with strong currents and shorelines of few beaches and treacherous craggy rocks abound. The titles in this series are taken from the map drawn by the Scottish author to accompany the 1883 adventure novel as the islet prepares to bury an unwanted treasure. Today La Graciosa is accessible by boat and part of a UNESCO World Heritage Nature Reserve of islets and marine area. The volcanic landscape is predominately undisturbed by humans with a few unsealed tracks for tourists and caretakers of the reserve. Without a natural water supply, island life is assisted with desalinated water piped from neighbouring Lanzarote and a frequent ferry service bring tourists and supplies up to 10 times a day. The population is 700. UNESCO says the region is “an authentic outdoor museum”. It is also a focal point for sea plastic to land ashore. Ocean currents carry discarded plastic from Africa and Europe here. Alex Rivera, a biologist with the World Wildlife Fund (WWF) collects 4500 - 6000kgs of large plastics annually - before they break down, become brittle then crumble into the food chain as dangerous micro plastic. This has prompted building a plastic recyling station to cope with the waste. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1556416310545-2MYISEVIOIXW8S8G9T3G/AM_Spye_Glass_Hill.jpg Gallery - Treasure Island Series, 2019. - ADD Title Spye Glass Hill, October 2018 - North West of Lanzarote in the Canary Islands is an islet known as La Graciosa. It bears a remarkable resemblance to Treasure Island in Robert Louis Stevenson’s novel of the same name. Remotely located in the Atlantic Ocean with strong currents and shorelines of few beaches and treacherous craggy rocks abound. The titles in this series are taken from the map drawn by the Scottish author to accompany the 1883 adventure novel as the islet prepares to bury an unwanted treasure. Today La Graciosa is accessible by boat and part of a UNESCO World Heritage Nature Reserve of islets and marine area. The volcanic landscape is predominately undisturbed by humans with a few unsealed tracks for tourists and caretakers of the reserve. Without a natural water supply, island life is assisted with desalinated water piped from neighbouring Lanzarote and a frequent ferry service bring tourists and supplies up to 10 times a day. The population is 700. UNESCO says the region is “an authentic outdoor museum”. It is also a focal point for sea plastic to land ashore. Ocean currents carry discarded plastic from Africa and Europe here. Alex Rivera, a biologist with the World Wildlife Fund (WWF) collects 4500 - 6000kgs of large plastics annually - before they break down, become brittle then crumble into the food chain as dangerous micro plastic. This has prompted building a plastic recyling station to cope with the waste. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1556416362603-TDKVB12U3VV75TFQXFFV/AM_Swamp.jpg Gallery - Treasure Island Series, 2019. Swamp, October 2018 - North West of Lanzarote in the Canary Islands is an islet known as La Graciosa. It bears a remarkable resemblance to Treasure Island in Robert Louis Stevenson’s novel of the same name. Remotely located in the Atlantic Ocean with strong currents and shorelines of few beaches and treacherous craggy rocks abound. The titles in this series are taken from the map drawn by the Scottish author to accompany the 1883 adventure novel as the islet prepares to bury an unwanted treasure. Today La Graciosa is accessible by boat and part of a UNESCO World Heritage Nature Reserve of islets and marine area. The volcanic landscape is predominately undisturbed by humans with a few unsealed tracks for tourists and caretakers of the reserve. Without a natural water supply, island life is assisted with desalinated water piped from neighbouring Lanzarote and a frequent ferry service bring tourists and supplies up to 10 times a day. The population is 700. UNESCO says the region is “an authentic outdoor museum”. It is also a focal point for sea plastic to land ashore. Ocean currents carry discarded plastic from Africa and Europe here. Alex Rivera, a biologist with the World Wildlife Fund (WWF) collects 4500 - 6000kgs of large plastics annually - before they break down, become brittle then crumble into the food chain as dangerous micro plastic. This has prompted building a plastic recyling station to cope with the waste. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1556416410831-3M7C4IGMPV5XMT9SVMUI/AM_White_Rock.jpg Gallery - Treasure Island Series, 2019. White Rock, October 2018 - North West of Lanzarote in the Canary Islands is an islet known as La Graciosa. It bears a remarkable resemblance to Treasure Island in Robert Louis Stevenson’s novel of the same name. Remotely located in the Atlantic Ocean with strong currents and shorelines of few beaches and treacherous craggy rocks abound. The titles in this series are taken from the map drawn by the Scottish author to accompany the 1883 adventure novel as the islet prepares to bury an unwanted treasure. Today La Graciosa is accessible by boat and part of a UNESCO World Heritage Nature Reserve of islets and marine area. The volcanic landscape is predominately undisturbed by humans with a few unsealed tracks for tourists and caretakers of the reserve. Without a natural water supply, island life is assisted with desalinated water piped from neighbouring Lanzarote and a frequent ferry service bring tourists and supplies up to 10 times a day. The population is 700. UNESCO says the region is “an authentic outdoor museum”. It is also a focal point for sea plastic to land ashore. Ocean currents carry discarded plastic from Africa and Europe here. Alex Rivera, a biologist with the World Wildlife Fund (WWF) collects 4500 - 6000kgs of large plastics annually - before they break down, become brittle then crumble into the food chain as dangerous micro plastic. This has prompted building a plastic recyling station to cope with the waste. https://alan-mcfetridge.com/store/p/egvraprh4p2yawv7tv6pp25b93uu3g-6gj9l-ad88l-p6bse monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1552001192565-SPSL3Q0A49U711L2D323/AMC_WFWSWE_030.jpg Gallery - Hospital Repairs, 2020. - Copy of Northern Lights Regional Health Centre, 7 Hospital St, Fort McMu This facility provides a range of healthcare services including a 24/7 emergency department. The Fort McMurray Community Cancer Centre is located within the Northern Lights Regional Health Centre. Fort McMurray's Northern Lights Regional Health Centre is the closest major hospital to several communities and industrial sites in northern Alberta, Saskatchewan and the Northwest Territories. In 2016, the hospital began construction of a helipad to reduce the 21-minute drive for patients that come via helicopter to Fort McMurray airport. https://alan-mcfetridge.com/store/p/egvraprh4p2yawv7tv6pp25b93uu3g-6gj9l-cndrh monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1543343257998-OO59UJOEA6UMEMXLJO97/170129_BadLiverandaBrokenHeart_Master.jpg Gallery - Ferrier Estate, London, 2012. https://alan-mcfetridge.com/store/p/egvraprh4p2yawv7tv6pp25b93uu3g-6gj9l-ad88l-tmbd7-ec6y2-mbnbj monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1543848088763-RU4ALMUN35HJP6O4MCBX/AMC_WFWSWE_008.jpg Gallery - Feral House, 2020 - 100 Townsend Dr, Anzac, AB T0P 1J0, Canada. Feburary 2017. 100 Townsend Dr, Anzac, Alberta, Canada 2017: Firmly within the interior of the boreal is, 415kms north of Edmonton, is Anzac (pop. 763). A quiet community surrounded by ancient forest. A normal North American 3-bed bungalow sits red-fenced and surrounded by sublime boreal forest. Paradoxically, human habitation also moves into the opposite direction, further into remote wildland. Small pocketed communities are a concern for fire suppression aid and receiving advanced fire warning systems in North America. Emile Zola, wrote a famous editorial in the La Tribune 8 October 1868, at the time questioned city parks value. Arguing that green spaces are against the nature of the city. He wrote several pages of sarcasm directed at the consumptive city dwellers for a new square in Paris, “it looks like a bit of nature that did something wrong and has been imprisoned” Zolas agoraphobic contempt for the park within the urban environment was clear. https://alan-mcfetridge.com/store/p/egvraprh4p2yawv7tv6pp25b93uu3g-6gj9l-ad88l-tmbd7-ec6y2 monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1543847880879-WBZSK6GJS5ABEX8TDO96/AMC_WFWSWE_032.jpg Gallery - Temporary Home, 2020 - Tower road, Fort McMurray, Canada. November 2016 Tower Road, Fort McMurray, Alberta, Canada, 2016: Motorhomes are common, low cost means for temporary or newly settled workers in Fort McMurray. Propane is affordable, additional sealing and insulation are applied to the windows and around the chassis. Fort McMurray, 435kms from Edmonton, with is size, it is easy to forget how remote the geography is. 70,000 permanent residents have moved here since 1960. An additional transient 'shadow' population 42,000 workers are supported. By Zola's account, this is true punishment. If an ecological frontier exists, the journey north proves a pattern of invasive human behavior (not exclusive to Canada). Pressure from accelerated human endeavor has abbreviated the Holocene epoch by some 20,000 years. Condensed to a mere 10,700 years. A group of geologists has been accumulating evidence since 2009 to prove this. The Working Group on the Anthropocene (WGA) has narrowed the beginning of this horrifying truth and a new epoch, the Anthropocene, to between 1951 and 1953. https://alan-mcfetridge.com/store/p/egvraprh4p2yawv7tv6pp25b93uu3g-6gj9l-ad88l-tmbd7 monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1543847832704-Z0CWQC4CWPSGD2EGY26I/AMC_WFWSWE_073+2.jpg Gallery - Black Spruce & Highway, 2016 - Black Spruce & Highway 63, Fort McMurray, Canada. November 2016 Black Spruce & Highway 63, Fort McMurray, Canada, November 2016. Surrounded by aftermath of blackened tree trunks. Habitats of pine, birch, aspen and spruce were broken – charred and scattered like bones in an open grave. Looming omnipresent int he background, dangerous fossil fuel mining infrastructure emphasises how frontier creeps into unprotected wildland. The tree species are black spruce and characterized by the thin trunk and seed crown. The ground here has a thin layer of earth then becomes too hard for the roots to penetrate. The tree roots systems have adapted to the shallow soil, which in the summer can be swampy and in winter become frozen solid. Pockets of tree stand collapses, such as this, are common once the dying roots lose grip. Landscape change and biomass burning also add to the effective GHG emissions. For example, forest fires have contributed direct carbon emissions averaging 18% of the fossil fuel emissions in Canada over the past four decades with additional contributions caused by post-fire effects (Amiro et al. 2001) https://alan-mcfetridge.com/store/p/egvraprh4p2yawv7tv6pp25b93uu3g-6gj9l-ad88l monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1634830410801-QF9F3OXJR1KLQ1X7RVC7/OTL_On-Wall_Email.jpg Gallery - On The Line - Framed Prints https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1623755069253-MXP72RRHEUGSEWYX1YU6/AM_OTL_Grid_2020_1500.jpeg Gallery - On The Line - Framed Prints - ADD Title https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1634830468769-V5BD4UD2AQKJ7J1JXI92/8.jpg Gallery - On The Line - Framed Prints https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1634830434127-2WFYN99PIKOA6B3QKY3A/2.jpg Gallery - On The Line - Framed Prints https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1634830499032-1GMH64ENE7GOV8L8XIEK/5.jpg Gallery - On The Line - Framed Prints https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1586854051498-KF0L6S3OEF585JCUTLKO/AM_BlackSpruce_2020_frame_detail_NL.jpg Gallery - On The Line - Framed Prints https://alan-mcfetridge.com/store/p/egvraprh4p2yawv7tv6pp25b93uu3g-6gj9l monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1543848967559-T192JHPMGMXA63FRSJOJ/amc_Lumsden_02_a.jpg Gallery - Limited Edition Print: Room 1, Lumsden Hotel, Otago, New Zealand, 2004. 30cm x 35cm. Limited Editions of 6 Prints plus 1 x AP https://alan-mcfetridge.com/store/p/sunday-best-brownfield-estate-2015-40-pagesnbsp148-mm-210mm-edition-of-200-first-edition-sold-out monthly 0.5 2025-09-05 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541679292408-HI0TD07X99WW2B9CM88U/Sundaybest_2.jpeg Gallery - Book: Sunday Best, Brownfield Estate - 2015 40 Pages, 148 mm × 210mm Edition of 200. First Edition SOLD OUT https://alan-mcfetridge.com/store/p/sunday-best-brownfield-estate-2015-40-pagesnbsp148-mm-210mm-edition-of-200-first-edition-sold-out-bf6rz monthly 0.5 2025-09-05 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541679273359-MUXY70V5HP8O6F4HB5K1/vol3.jpeg Gallery - Book: Unrealised Projects. Volume 3 - 2005 57 pages, 148mm x 210mm. Edition of 200. First Edition SOLD OUT https://alan-mcfetridge.com/store/p/dog-shelter- monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1519558067770-97IYT9CYHSZA2M1REGB4/Sticks_1.jpg Gallery - Fund Raising for Battersea Dogs and Cats Home https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1519558073974-Y4Q8REYTYDM8SD3KDTT3/Sticks_2.jpg Gallery - Fund Raising for Battersea Dogs and Cats Home https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1519558097830-HEXPIEMXAL6WD05JOA1X/Sticks_3.jpg Gallery - Fund Raising for Battersea Dogs and Cats Home https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1519558103190-L8BYQTDG95N2HEIK4CF0/Sticks_04.jpg Gallery - Fund Raising for Battersea Dogs and Cats Home https://alan-mcfetridge.com/store/p/egvraprh4p2yawv7tv6pp25b93uu3g monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1645635736596-RN9TSH5LYV1J0UFQM6EG/211012_Firegram_3_Insta.jpg Gallery - Pyrograms, 2016. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1634829117295-5GZZGJ71GG94TYEFHBOH/211012_Firegram_2.jpg Gallery - Pyrograms, 2016. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1634829118614-A6E7LGS19POU7R0CZCUM/211012_Firegram_1.jpg Gallery - Pyrograms, 2016. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613280536-CTSGRR5BHXFOAORL7IE8/04.jpg Gallery - Pyrograms, 2016. - Combustion Series, Boreal Forest, Fort McMurray, Canada. Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613279401-CR9VBYAEF9J980M4DM7V/02.jpg Gallery - Pyrograms, 2016. - Combustion Series, Boreal Forest, Fort McMurray, Canada. Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613281922-41WUEI4LWOT1DQ1VZS35/05.jpg Gallery - Pyrograms, 2016. - Combustion Series, Boreal Forest, Fort McMurray, Canada. Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613282052-3X2704LNGFSRP4MPC0A9/06.jpg Gallery - Pyrograms, 2016. - Combustion Series, Boreal Forest, Fort McMurray, Canada. Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613283837-BFNG2OYMDIENINMO47P6/07.jpg Gallery - Pyrograms, 2016. - Combustion Series, Boreal Forest, Fort McMurray, Canada. Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613283717-SISBB71P2VQXH9YGLIMZ/08.jpg Gallery - Pyrograms, 2016. - Combustion Series, Boreal Forest, Fort McMurray, Canada. Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613286075-UXS89E5K027SFAZNBXCC/09.jpg Gallery - Pyrograms, 2016. - Combustion Series, Boreal Forest, Fort McMurray, Canada. Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613285762-HSF6GQW4CJ6P1J8HQ21N/10.jpg Gallery - Pyrograms, 2016. - Combustion Series, Boreal Forest, Fort McMurray, Canada. Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613288182-S4ZC9YRTIIM50EYYP23B/12.jpg Gallery - Pyrograms, 2016. - Combustion Series, Boreal Forest, Fort McMurray, Canada. Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613289548-UKYZGMOTUY7QYWOB5QHP/13.jpg Gallery - Pyrograms, 2016. - Combustion Series, Boreal Forest, Fort McMurray, Canada. Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613289759-3SDJZ7DZ0V0QSUULDFY2/14.jpg Gallery - Pyrograms, 2016. - Combustion Series, Boreal Forest, Fort McMurray, Canada. Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613291351-TYDCOXK34RJMBC49HSLN/15.jpg Gallery - Pyrograms, 2016. - Combustion Series, Boreal Forest, Fort McMurray, Canada. Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613292222-SZ4DRC3O1WLYTNDLZP8L/16.jpg Gallery - Pyrograms, 2016. - Combustion Series, Boreal Forest, Fort McMurray, Canada. Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613292606-FEXOP540NWBDF1JGL0ET/17.jpg Gallery - Pyrograms, 2016. - Combustion Series, Boreal Forest, Fort McMurray, Canada. Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613295183-UK5XUJZW59OML1F7UPZB/18.jpg Gallery - Pyrograms, 2016. - Combustion Series, Boreal Forest, Fort McMurray, Canada. Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613295113-CO3MP8HVFMTSLS2U8R4G/19.jpg Gallery - Pyrograms, 2016. - Combustion Series, Boreal Forest, Fort McMurray, Canada. Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613296083-U7DRYHIAMJWYS0CKODQU/20.jpg Gallery - Pyrograms, 2016. - Combustion Series, Boreal Forest, Fort McMurray, Canada. Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613297954-1UTHXV7YEYGQQ8LXW0C3/21.jpg Gallery - Pyrograms, 2016. - Combustion Series, Boreal Forest, Fort McMurray, Canada. Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613297644-X7QB36P3YFI9R0KIPI2G/22.jpg Gallery - Pyrograms, 2016. - Combustion Series, Boreal Forest, Fort McMurray, Canada. Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613299137-3AME5IHX1K51IJKTDIEK/23.jpg Gallery - Pyrograms, 2016. - Combustion Series, Boreal Forest, Fort McMurray, Canada. Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613299882-Y0MV8EDKK117ZETTGMQO/24.jpg Gallery - Pyrograms, 2016. - Combustion Series, Boreal Forest, Fort McMurray, Canada. Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613300282-PPJH7B9W0T46OMGRGFY5/25.jpg Gallery - Pyrograms, 2016. - Combustion Series, Boreal Forest, Fort McMurray, Canada. Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613301011-N25ODMITCLFD04BYVJ1B/26.jpg Gallery - Pyrograms, 2016. - Combustion Series, Boreal Forest, Fort McMurray, Canada. Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613301872-ZAXF09IPMMIXOC2YEOQ0/27.jpg Gallery - Pyrograms, 2016. - Combustion Series, Boreal Forest, Fort McMurray, Canada. Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613302368-Z9EBLBEVTUAEZ0KIYYKP/28.jpg Gallery - Pyrograms, 2016. - Combustion Series, Boreal Forest, Fort McMurray, Canada. Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613303139-SJRQSHB9THGEIF4EWW5P/29.jpg Gallery - Pyrograms, 2016. - Combustion Series, Boreal Forest, Fort McMurray, Canada. Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613303515-V26ZPED25EFRRRFB41WH/30.jpg Gallery - Pyrograms, 2016. - Combustion Series, Boreal Forest, Fort McMurray, Canada. Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613304527-EEOEGER5J7XA0FABAF6Z/31.jpg Gallery - Pyrograms, 2016. - Combustion Series, Boreal Forest, Fort McMurray, Canada. Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613304784-6EPKHOSUIKWDWQYRRJIQ/32.jpg Gallery - Pyrograms, 2016. - Combustion Series, Boreal Forest, Fort McMurray, Canada. Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613305664-UYZ3UXGEDT5JXGV5ZN0V/33.jpg Gallery - Pyrograms, 2016. - Combustion Series, Boreal Forest, Fort McMurray, Canada. Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://alan-mcfetridge.com/store/p/egvraprh4p2yawv7tv6pp25b93uu3g-ex862 monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1670691434185-0GC4VWASARFF7JYUK1WM/SS_image.jpg Gallery - Dead Reckoning prints, 29cm x 17cm https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1671118685980-ZKXZBM0FQFG6RN5OKECN/FB_DR_3.jpg Gallery - Dead Reckoning prints, 29cm x 17cm https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1671118652532-X0R6RLCU3E8A5JZ3JP9D/FB_DR_2.jpg Gallery - Dead Reckoning prints, 29cm x 17cm https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1671118616515-W6OGTICEKB6YLQ9ORKQE/FB_DR_1.jpg Gallery - Dead Reckoning prints, 29cm x 17cm https://alan-mcfetridge.com/store/p/ontheline-fundraising monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/38a0a1df-248c-4ff9-9c09-b7f262bb9286/OTL_Framed_2024_AM__23.jpg Gallery - On The Line - £30 Fundraising Prints https://alan-mcfetridge.com/store/p/ontheline-fundraising-6x6yp monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/af7c8fac-8343-447c-9bbb-821f4bc3c6a4/OTL_Framed_2024_AM__25.jpg Gallery - On The Line, 2019 - Open Edition https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/69a28cab-5d70-4ebf-8ad2-38ae82d88438/OTL_Framed_2024_AM__30.jpg Gallery - On The Line, 2019 - Open Edition https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/ab5e817c-7028-4dcf-94df-473636aa78a8/OTL_Framed_2024_AM__23.jpg Gallery - On The Line, 2019 - Open Edition https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/d7490cb0-b722-45fa-9123-e41394dda68f/CF051706.jpg Gallery - On The Line, 2019 - Open Edition https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/834214df-788a-46db-8611-f04f19e69ee1/CF051704.jpg Gallery - On The Line, 2019 - Open Edition https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/9d7f861e-fc1b-488d-b854-b319ee219605/CF051705.jpg Gallery - On The Line, 2019 - Open Edition https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/8271f44c-9c96-4c1c-a48d-1f33476703aa/OTL_A3_Template_SM.jpg Gallery - On The Line, 2019 - Open Edition https://alan-mcfetridge.com/store/p/ontheline-fundraising-6x6yp-n4rdc monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/404d9db7-be56-4ad6-b737-2ae86a59a474/Ignis_Parnassus_II.jpg Gallery - Ignis Parnassum, 2023 - Ignis_Parnassus_II.jpg https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/2a6389ae-2765-4d9b-9646-e8fcf1ddff46/Ignis_Parnassus_I.jpg Gallery - Ignis Parnassum, 2023 - Ignis_Parnassus_I.jpg https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/03eb539b-9327-4012-9c38-79d16c6fb1c8/Ignis_Parnassus_IV.jpg Gallery - Ignis Parnassum, 2023 - Ignis_Parnassus_IV.jpg https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/66cb6a0d-4192-4eb1-8287-cd8d4939869c/Ignis_Parnassus_III.jpg Gallery - Ignis Parnassum, 2023 - Ignis_Parnassus_III.jpg https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/e95fae40-068b-4219-96b7-031873d040bf/Ignis_Parnassus_V.jpg Gallery - Ignis Parnassum, 2023 - Ignis_Parnassus_V.jpg https://alan-mcfetridge.com/store/p/262-hdb-bisham-singapore-2003-376mm-x503mm-edition-of-9-plus-1-x-ap-first-printed-in-oct-2017-7ppxd monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1539105311175-REX08QIHPEZI6CKHP6TT/171020_262_HDB_Bisham_2003_376x503_Oct17.jpg Gallery - Waterloo Centre, 262-264 HDB, Bisham, Singapore, 2003. - 262 HDB, Bisham, Singapore, 2003. 376mm x503mm Edition of 9 plus https://alan-mcfetridge.com/store/p/262-hdb-bisham-singapore-2003-376mm-x503mm-edition-of-9-plus-1-x-ap-first-printed-in-oct-2017-zyaam monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1536230690718-Q7MCYQTL5NJCGTWOUT9V/amc_motutapu_i.jpg Gallery - Limited Edition Print: Motutapu I, Otago, New Zealand, 2007. 800mm x 1970mm. Limited Edition of 9 Prints plus 1 x AP https://alan-mcfetridge.com/store/p/ontheline monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1591890075735-IYZWLJPV4554XXT8308C/Screen+Shot+2020-03-31+at+20.40.22.png Gallery - On The Line, 2019 - First Edition https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1555800937628-XC1V2RCN99FGIXFKOTTT/2.jpg Gallery - On The Line, 2019 - First Edition - Tree Portrait Series, Fort McMurray, Canada. November 2016 From the Book On The Line - Series, Fort McMurray, Canada. November 2016. Isolated trees and shelter, 6 months after the wildfire showing full, partial or complete escape from burning. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1555566490600-ZW31VXNJDJ1I93FSA31C/3.jpg Gallery - On The Line, 2019 - First Edition - Tree Portrait Series, Fort McMurray, Canada. November 2016 From the Book On The Line - Series, Fort McMurray, Canada. November 2016. Isolated trees and shelter, 6 months after the wildfire showing full, partial or complete escape from burning. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1555566518362-BQ3LMG1HQ6TY542UE9BE/4.jpg Gallery - On The Line, 2019 - First Edition - Tree Portrait Series, Fort McMurray, Canada. November 2016 From the Book On The Line - Series, Fort McMurray, Canada. November 2016. Isolated trees and shelter, 6 months after the wildfire showing full, partial or complete escape from burning. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1555566540351-N8QGFJ2KXWSFHPD1TFOX/5.jpg Gallery - On The Line, 2019 - First Edition - Tree Portrait Series, Fort McMurray, Canada. November 2016 From the Book On The Line - Series, Fort McMurray, Canada. November 2016. Isolated trees and shelter, 6 months after the wildfire showing full, partial or complete escape from burning. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1555566584534-3PLYM6505MKY9O3OE97B/6.jpg Gallery - On The Line, 2019 - First Edition - Tree Portrait Series, Fort McMurray, Canada. November 2016 From the Book On The Line - Series, Fort McMurray, Canada. November 2016. Isolated trees and shelter, 6 months after the wildfire showing full, partial or complete escape from burning. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1555566588680-5O4DNEHDPPR597NOH1Z1/7.jpg Gallery - On The Line, 2019 - First Edition - Tree Portrait Series, Fort McMurray, Canada. November 2016 From the Book On The Line - Series, Fort McMurray, Canada. November 2016. Isolated trees and shelter, 6 months after the wildfire showing full, partial or complete escape from burning. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1555566637082-KISJA00WTNO5YAMVAV6U/8.jpg Gallery - On The Line, 2019 - First Edition - Tree Portrait Series, Fort McMurray, Canada. November 2016 From the Book On The Line - Series, Fort McMurray, Canada. November 2016. Isolated trees and shelter, 6 months after the wildfire showing full, partial or complete escape from burning. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1555566663645-851H2DM0HUOVZEZ52RBD/9.jpg Gallery - On The Line, 2019 - First Edition - Tree Portrait Series, Fort McMurray, Canada. November 2016 From the Book On The Line - Series, Fort McMurray, Canada. November 2016. Isolated trees and shelter, 6 months after the wildfire showing full, partial or complete escape from burning. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1555566684866-0S36M6NKPRBDUY1MEJ0V/10.jpg Gallery - On The Line, 2019 - First Edition - Tree Portrait Series, Fort McMurray, Canada. November 2016 From the Book On The Line - Series, Fort McMurray, Canada. November 2016. Isolated trees and shelter, 6 months after the wildfire showing full, partial or complete escape from burning. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1555566713575-60J5A8Q2HTQU0EYILWH4/11.jpg Gallery - On The Line, 2019 - First Edition - Tree Portrait Series, Fort McMurray, Canada. November 2016 From the Book On The Line - Series, Fort McMurray, Canada. November 2016. Isolated trees and shelter, 6 months after the wildfire showing full, partial or complete escape from burning. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1555566743789-PSYMOMSV217ZIS4EES0J/12.jpg Gallery - On The Line, 2019 - First Edition - Tree Portrait Series, Fort McMurray, Canada. November 2016 From the Book On The Line - Series, Fort McMurray, Canada. November 2016. Isolated trees and shelter, 6 months after the wildfire showing full, partial or complete escape from burning. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1555566772554-IG2H3WJN8RSQ4A71OOTP/13.jpg Gallery - On The Line, 2019 - First Edition - Tree Portrait Series, Fort McMurray, Canada. November 2016 From the Book On The Line - Series, Fort McMurray, Canada. November 2016. 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C-Type Print 80cm x 100cm © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508419465844-ZR3RXNBU7V96EMCZWSF5/Williamson_St_Sydney_3.jpg Photography - Street Kids https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508419475148-IUJC8LE04CO7H01TWZ9M/Williamson_St_Sydney_4.jpg Photography - Street Kids https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508419487586-DJ0BBUSKTCY33C569GPO/Williamson_St_Sydney_6.jpg Photography - Street Kids https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508879817919-K2AEGE47UUA6U2CDWP0V/Williamson_St_Sydney_5.jpg Photography - Street Kids https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508932775281-90FH2IVUOYLW0NYHJ37R/Williamson_St_Sydney_6.jpg Photography - Street Kids 36 Darlinghurst Road, Sydney 2008. Print 80cm x 100cm © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508932328732-P564RX5AZEIF54WZEZ6G/Williamson_St_Sydney_5.jpg Photography - Street Kids 56 Darlinghurst Road, Sydney 2008. Print 80cm x 100cm © Alan McFetridge https://alan-mcfetridge.com/photography/balfron-tower-london-bshng monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508525418747-5SYZ15556W0DLG8Z60TK/AMC_PeterHosePoplarHarca2015.jpg Photography - Balfron Tower, London, UK - Balfron Tower, London Peter Hose, Communications Intern, Poplar HARCA, St Leonards Road, Poplar London 2015. © Alan McFetridge 80cm x100 cm https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508944671802-OHH3PWOA0OA6XGVFYF8D/Jimbo_Lane.jpg Photography - Balfron Tower, London, UK https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508944653274-PQBD4DCA9O26TAKS90RR/A2-Isabella.jpg Photography - Balfron Tower, London, UK https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508879974205-SQMMCLZLTIZBIRVTSPU6/AMC_PeterHosePoplarHarca2015.jpg Photography - Balfron Tower, London, UK https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508944675820-J3O4XECZ90U0O7VRDWHG/Renee.jpg Photography - Balfron Tower, London, UK https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508944670815-DN4L7B30TUQ5VN6VV16X/James_Lander.jpg Photography - Balfron Tower, London, UK https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508944651804-MP7HGWQMHRI4YWV8YRMJ/Agnes.jpg Photography - Balfron Tower, London, UK https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508944663080-3LELPV5Q4XHEMRZ1YWRP/Alex_Palix.jpg Photography - Balfron Tower, London, UK https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508944663185-GIVQQ9SNQH0ICQV8GDGD/Alex-Smeeth.jpg Photography - Balfron Tower, London, UK https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508944606800-N4W3GDYFDUSHXB0X6NFE/James_Lander.jpg Photography - Balfron Tower, London, UK https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508944544101-T8Z6FBQCET6JGCTX594A/A2-Isabella.jpg Photography - Balfron Tower, London, UK https://alan-mcfetridge.com/photography/future-strata-7e844 monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508487283944-Z4PX0OQUK9QG4T680CVJ/SHANGHAI-Master.jpg Photography - Future Strata - Future Strata 1200 Cao Xi Bei Road, Shanghai, China. 2007. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508417551674-YZK71YID6NJKLWVQNPOQ/LAX_2.jpg Photography - Future Strata https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508417588310-B28PEK648ZC7ZKXZ392I/LAX_3.jpg Photography - Future Strata https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508417565322-CWCS4F4W5P5SXNB6YR0Q/LAX_1.jpg Photography - Future Strata https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508418352254-NJY3V50IELQ1V416TBZZ/SHANGHAI-3_Master.jpg Photography - Future Strata https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508877363644-B196WIRR6YF2GEZQP5SU/SHANGHAI-Master.jpg Photography - Future Strata https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1506066324589-N98USZUYBH784XKDKO9O/Skatepark_4.jpg Photography - Future Strata https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1506066084748-HBPW840UW6BDQ8PTGFUG/Skatepark_1.jpg Photography - Future Strata https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508417393657-6P3O4IA6YQB8THA2EVL0/Proving-Ground_1.jpg Photography - Future Strata https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508417391877-532WA9XXTYXI0PKMUVQR/Proving-Ground_2.jpg Photography - Future Strata https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508417400504-2STC9Q04OJLL8OZFSN99/Proving-Ground_3.jpg Photography - Future Strata https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508877300211-I58P4ZM4BEMSRJOP826U/160522_Remarks_Earthwork__Master.jpg Photography - Future Strata https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508418391388-Y1M40O3C160DOI7A6XRT/160330_RemarksRoad_012904_Master.jpg Photography - Future Strata https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508877357450-1CWOTH71M8INX75UX41T/160329_CrownRangeRoad_012340_Master.jpg Photography - Future Strata https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1506065603595-OOJEMZ4VI4GWXG2F9HCT/NYC_rooftop_gym_Master_2.jpg Photography - Future Strata https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508877359507-QE74BBWL62LE1AJTNPKH/160329_CrownRangeRoad_012341_Master.jpg Photography - Future Strata https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1506066294543-RR3UYVU0Z8J9HLXTFUWX/Skatepark_3.jpg Photography - Future Strata https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1506066060006-KP4K037RJ33ISNQKGD5Z/Skatepark_2.jpg Photography - Future Strata https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1506065670831-0QAICOX75VI962J840I7/NYC_rooftop_gym_Master_4.jpg Photography - Future Strata https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1506065603040-DXNKOMO98F95QA0MPKF5/NYC_rooftop_gym_1.jpg Photography - Future Strata https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1506065650297-P9RQX9Q1WUV2SXZSLKN6/NYC_rooftop_gym_Master_3.jpg Photography - Future Strata https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508877530079-U067U772JUX0KUWGYACG/160329_RemarksRoad_012958_Master.jpg Photography - Future Strata https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508418349334-QC6CZ4DM93CB367SGE4Z/SHANGHAI-2_Master.jpg Photography - Future Strata https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508418292508-RIBSK201HYPBX6LBRA4N/160329_RemarksRoad_012949_Master.jpg Photography - Future Strata https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508877530298-6FQACH1GWNUTSNQESIGJ/160329_RemarksRoad_012973_Master.jpg Photography - Future Strata https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508418062283-YGPMN9U2UDTHHNG3CGSE/160329_CrownRangeRoad_012396_Master.jpg Photography - Future Strata Bike Trails, Otago, New Zealand, 2015. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1506064500517-XX8M45F0GC3NL4HQGKMH/160329_CrownRangeRoad_012341_Master.jpg Photography - Future Strata Central Plains Water Enhancement Scheme, Canterbury, New Zealand 2015. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1506064346371-0CUQIVY40H2R2NDDCPZA/160522_Remarks_Earthwork__Master.jpg Photography - Future Strata Artificial Snow Making Well, Otago, New Zealand, 2015. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1506064535341-1HLFBL2OJJ7V01LPCSKO/160329_CrownRangeRoad_012340_Master.jpg Photography - Future Strata Central Plains Water Enhancement Scheme, Canterbury, New Zealand 2015. © Alan McFetridge https://alan-mcfetridge.com/photography/humanhabitat-t54ww monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1505901915842-Z9FFBCAAHGQPO3WY27F7/170129_BadLiverandaBrokenHeart_Master.jpg Photography - The Great Western Domestic - The Great Western Domestic Demolition of Ferrier Estate, Kidbrooke Park Road, London, 2012. C-Type print, 80cm x 100cm © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508879393063-CAS9BOPNWVM439BX8UOH/1605226_Doncaster_Catroom_Master.jpg Photography - The Great Western Domestic https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1505884849460-6RV7YKOC7SOV6JZF2KFB/Goulles_FarmHouse_II_Master.jpg Photography - The Great Western Domestic https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1505885015639-0BM8AWA5LQSQ2YM8IIUP/Goulles_FarmHouse_III_Master.jpg Photography - The Great Western Domestic https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1505885128697-UVHN0BETXOO4NUBLC2WI/Balfron_Wide_Entry-Phone.jpg Photography - The Great Western Domestic https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1505884861609-TW3DSWPPIC1J2XZDRC1W/Queenstown_Subdivision.jpg Photography - The Great Western Domestic https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1505884849463-BVOF9TG05J0CJSGZAPIP/160920_Oka_St_Cloud_Master.jpg Photography - The Great Western Domestic https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508878835379-RA9TGYK1VK7WE4QT4IZY/160624_Oka_St_1-Master.jpg Photography - The Great Western Domestic https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1505884837797-VTO29K9RWZ9W70KWZHQG/160413_OkaSt_Dirt.jpg Photography - The Great Western Domestic https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1505884820237-WYKV2ZJLAQGKCO3AAY5O/160318_Papamoa_OkaSt_9_07am_Master_1.0.jpg Photography - The Great Western Domestic https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1505885138412-J1YDM10GRU2W77WCM8U5/14_210-Maranui_Rd.jpg Photography - The Great Western Domestic https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508879020566-IPJ6CQ0NVOHEKO2CDL3D/34_Torrington_Cresent_GI_Master.jpg Photography - The Great Western Domestic https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508878733976-GIHZHKFRTWD2ZYZVWEKG/36_Torrington_Cresent_GI_Master.jpg Photography - The Great Western Domestic https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1505885019240-1H88EXZF3VJ6EUZBBBN7/BalfronTower_AirVent.jpg Photography - The Great Western Domestic https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508878738682-DHRJZH7LF2EAJDC8RG48/BalfronTower_Intercom.jpg Photography - The Great Western Domestic https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508878745756-2BTGE4AAKO658MTEZ6OY/BalfronTower_Window.jpg Photography - The Great Western Domestic https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508878737702-1XQ9TJUI7YMK61BI1CYE/AMC_Burnt-Hillock_1.1.jpg Photography - The Great Western Domestic https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508879010534-LPSXT2EU66PS2OYXZ59P/16041_GeorgelovessHouse_Vista_Master.jpg Photography - The Great Western Domestic https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508878751764-L9LNEO0Q8RPUSW4KNM57/GeorgelessHouse_Vista_1.jpg Photography - The Great Western Domestic https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508878760177-1YIF3BJQQ02L07594ZKJ/Georgeloveless_House_Vista_2.jpg Photography - The Great Western Domestic https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508879381770-932QQ0EVN09DU6Z2XBVP/170129_BadLiverandaBrokenHeart_Master.jpg Photography - The Great Western Domestic https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1509195051991-QEF0NKE8963QS03WIWPJ/171020_262_HDB_Bisham_2003_376x503_Oct17.jpg Photography - The Great Western Domestic https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1505885161497-19D3H0JSNOQ9EXY5RB2Y/FerrierEstate_Tree_at_Night_a.jpg Photography - The Great Western Domestic https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1513940568363-JWAKIPA32S6ADGFSHP8Y/Goulles_FarmHouse_I_Master.jpg Photography - The Great Western Domestic https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1505885762979-N5TNIAKENIFB81B77IAL/Goulles_FarmHouse_I_Master.jpg Photography - The Great Western Domestic Farmers Cottage, Courqueux, Goulles, Central France, 2015. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1505883578829-GKFLFAVAZS7IO7CC30MA/160624_Oka_St_1-Master.jpg Photography - The Great Western Domestic Golden Sands Development, Oka St, Papamoa, New Zealand, 2015. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508521016696-XN2L58R1C2B41UROJQHW/36_Torrington_Cresent_GI_Master.jpg Photography - The Great Western Domestic Condensing State Housing. Torrington Crescent, Auckland, 2015. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508520986649-3S1J2ZWIDYMW7NXUD5DL/1605226_Doncaster_Catroom_Master.jpg Photography - The Great Western Domestic Cat Room, Queens Avenue, Melbourne, 2015. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1abb63b1-95e4-4b78-84d3-f4c0417b8e39/image-asset_2.jpg Photography - The Great Western Domestic - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://alan-mcfetridge.com/photography/motutapu-sa2br monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508427286604-JCE3TMULR9SRTPZ5VAZJ/ag_motutapu_i.jpg Photography - Motutapu - Motutapu In Motutapu, is a reference my home country of Aotearoa/New Zealand. I first came to the Matukutuki Valley, as with most of my wanderings, by chance. I do not know what led me there only that the region has drawn in artists for some time. These feelings were clear. The quiet of the open land and Korimako's birdsong for company. James K Baxter is a renowned poet that lived and died in New Zealand. He wrote 'Letter from the Mountains' in which the first passage goes some way to describing the ease of life outside, away, nestled into the land. Motutapu I, Otago, New Zealand, 2007. 800mm (H) x 1970mm (W) Edition of 9. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508945829151-ZACVVSS819VG5TURWWNE/amc_Motutapu_5a.jpg Photography - Motutapu https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508945830003-EC16FJEETX8MGN6AZS2N/amc_Motutapu_4.jpg Photography - Motutapu https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508945833780-Z3BQ1QW8B7HLCQV7MWL7/amc_Motutapu_7.jpg Photography - Motutapu https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508945834885-80U60AB8AB8B4BZ1SIZE/ag_motutapu_i_nz.jpg Photography - Motutapu https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508945837205-T0KABLVUVA58ANOBNQES/ag_motutapu_shepard_v2_nz.jpg Photography - Motutapu https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508945839635-WM3T6F8MOWP4CBD7Z5OI/ag_motutapu_v_nz.jpg Photography - Motutapu https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508945837906-T1MGV9SULX4AI693N0ES/news_rps_motutapu_I.jpg Photography - Motutapu https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508945902214-QNKX72F7E5VW9APUZ3CL/AMC_Landscape_MototapuRive+copy.jpg Photography - Motutapu https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508948586257-J2TL5EG4M5H59H9DVQ6I/A%26G_Landscape_Motutapu.jpg Photography - Motutapu Motutapu III, Otago, New Zealand, 2007. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508948550247-I6VA48NCO4KNPM5LR5RL/A%26G_Motutapu_I_NZ.jpg Photography - Motutapu Motutapu II, Otago, New Zealand, 2007. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/2dfd1f6c-3590-4db7-ad18-32c3e5160fe5/AM_DeadEnd_025.jpg Photography - Motutapu - Make it stand out True to the Last Cinder, 2016 https://alan-mcfetridge.com/photography/lumsden-hotel-k6ka8 monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508425105868-96PTL0LVE9LM66A0QFW1/Lumsden_6.jpg Photography - Lumsden Hotel, Southland, New Zealand Room 3, Lumsden Hotel, 6 Diana St, Lumsden, Southland, New Zealand 2004. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508425149933-KPTAX4117T7ERPX815JF/Lumsden_1.jpg Photography - Lumsden Hotel, Southland, New Zealand https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508425149821-3C3LUJPCS0CH19CPQUFA/Lumsden_2.jpg Photography - Lumsden Hotel, Southland, New Zealand https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508425164477-4P2CCNZNHIOHAE8CI4HO/Lumsden_3.jpg Photography - Lumsden Hotel, Southland, New Zealand https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508425161856-K7M7HZM1N69JP8U8JPBM/Lumsden_4.jpg Photography - Lumsden Hotel, Southland, New Zealand https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508425169817-ARFH56RTKRNBOULXMUNH/Lumsden_5.jpg Photography - Lumsden Hotel, Southland, New Zealand https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508927017847-A1E5QHIX1HDD3MUNSS67/Lumsden_4.jpg Photography - Lumsden Hotel, Southland, New Zealand Room 1, Lumsden Hotel, 6 Diana St, Lumsden, Southland, New Zealand 2004. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508927135025-2R1F41A11SYSHSEWRFUF/Lumsden_3.jpg Photography - Lumsden Hotel, Southland, New Zealand Room 6, Lumsden Hotel, 6 Diana St, Lumsden, Southland, New Zealand 2004. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/c0e42ac4-9ee9-4e99-b768-d0d064d500cd/AM_DeadEnd_025.jpg Photography - Lumsden Hotel, Southland, New Zealand - Make it stand out True to the Last Cinder, 2016 https://alan-mcfetridge.com/photography/cryograms-hxcmw monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/4d48cdd9-5c32-4ff0-84de-8b36590771b3/Cryogram_1_Framed.jpg Photography - Cryograms Title: Cryogram #1, 2016 First Edition of 6 + 1AP Dimensions: 770mm x 680mm x 45mm Materials: Chroma print on mountboard, charred Plywood & Tulip and Tung Oil. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/5ee34e3c-ea77-47b1-abde-a7431dcbc3cf/Cryogram_1_CUP_Framed.jpg Photography - Cryograms - Make it stand out Close up of Cryogram #1 showing the blistering effect open flame. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/290428b2-a576-45a4-aadc-08e1988c4bc5/Cryogram_1_Cropped_Framed.jpg Photography - Cryograms - Make it stand out Detail of Cryogram #1. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613060122-0ZPI12OACW2SFXYBJVCG/_1.jpg Photography - Cryograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613059995-IAIBLMYAAK9URQUP7UCB/_2.jpg Photography - Cryograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613062759-A3E8C7TLHXMZDRFR6EK6/_3.jpg Photography - Cryograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613062979-19OOHG37GUARE5JSODBF/_4.jpg Photography - Cryograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613065588-0B7KAPAJK9DRZAAGJY3O/_5.jpg Photography - Cryograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613065765-8KAPVOEOTCXMWTET8ZAH/_6.jpg Photography - Cryograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/a0f5f665-e4ce-456e-999b-594e7e5d5cc2/AMC_WFWSWE_044.jpg Photography - Cryograms - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://alan-mcfetridge.com/photography/pyrograms-7eclc monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/f1d74527-1dad-414d-8419-197ce0daa064/160714_Photogram_02c_Master.jpg Photography - Pyrograms - firegrams Firegram #4, 2016 58cm x 77cm. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1637686007641-E16OXFJQSOHB60ZGMUAD/211012_Firegram_3-2.jpg Photography - Pyrograms https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1637686011851-Y4XM8RQ3VDNHXEWSMMXU/211012_Firegram_2-1.jpg Photography - Pyrograms https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1637686015652-55YMBL66YJLHRU5LX1G3/211012_Firegram_1-1.jpg Photography - Pyrograms https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613068598-KHLKX2Y6N77A57QI1FFJ/04.jpg Photography - Pyrograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613069759-BGDNYISZMHU42I1RB10J/05.jpg Photography - Pyrograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613070117-08SKVA5L9HR3BKMGR6VS/06.jpg Photography - Pyrograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613083502-KSAK178NGQ85F4UEW7D3/24.jpg Photography - Pyrograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613071290-V38IPPZJDJDSDM7J7B71/07.jpg Photography - Pyrograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613071384-PF5U5HENVKBWGSCLUWS3/08.jpg Photography - Pyrograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613073230-0QTGLN0PMNVLI6CNBUAJ/09.jpg Photography - Pyrograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613072910-ZDLPBMLEC232TQH7NB3Y/10.jpg Photography - Pyrograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613074770-6APO0OJ9VWV8FUEPAOWE/12.jpg Photography - Pyrograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613076642-AOV0G6E48BC4ZR8FH65Y/13.jpg Photography - Pyrograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613074607-8B6U1US5S31AV5Z35QFQ/11.jpg Photography - Pyrograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613076269-RTG5OD0TQL3SEPEAWCST/14.jpg Photography - Pyrograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613068506-A1O4276ZWLJBMXT29C0W/03.jpg Photography - Pyrograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613067007-QZ68H13MW1LYHWC76K5K/01.jpg Photography - Pyrograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613067558-YH84K9XU4LNCCYUUM8BB/02.jpg Photography - Pyrograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613077643-N8V77TGP7VGNPCBX3EAP/15.jpg Photography - Pyrograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613077956-DFVP45FTXQZ2LZ2UE7QL/16.jpg Photography - Pyrograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613078584-MDE06FUS20ATCF83B348/17.jpg Photography - Pyrograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613080074-XHB9JSA231NSLWTD85JS/18.jpg Photography - Pyrograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613080333-G3JH7R9AHQCN3VYZSUJX/19.jpg Photography - Pyrograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613081045-73WNZ31UXPLD3XP8ZJT6/20.jpg Photography - Pyrograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613081790-45EJKQB9IFE1TX4XHHQB/21.jpg Photography - Pyrograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613082074-TZL1O6CLZFMGNLA8PFCH/22.jpg Photography - Pyrograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613083336-T1TKM2OUAWUILF4G5RLJ/23.jpg Photography - Pyrograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613084266-Y85ITORFARHQVYYM8ON6/25.jpg Photography - Pyrograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613084869-AWEP2BH2IIEN80BAGJHH/26.jpg Photography - Pyrograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613088211-7ESVAZ886YVV9CTYDPQG/27.jpg Photography - Pyrograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613089696-UBWVAFTZUHRFJS7IYKP2/28.jpg Photography - Pyrograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613090993-MD3R0C77UOMO6L6MK03H/29.jpg Photography - Pyrograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613096491-CU3FD2YOUCEEU99BSZK2/30.jpg Photography - Pyrograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613096868-VW9QFA1NV1GE29XEAD1S/31.jpg Photography - Pyrograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613097245-TAVMNM0HTDTD138R7T87/32.jpg Photography - Pyrograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1541613098039-LAYXJ5MSRBGNB90O9UCS/33.jpg Photography - Pyrograms - Combustion Series, Boreal Forest, Fort McMurray, Canada. (Copy) Combustion Series, Boreal Forest, Canada. When does the value of freedom become truly valued or understood? The question of freedom for the voiceless from exploitation is for some of humanity to act rapidly and all of humanity to understand the potential for catastrophic social, economic and political consequences to business as usual model or failing to act. Referencing film director David Lynch’s use of fire. These photograms represent forthcoming danger and the unconscious. Fire Walk with Me addresses the presence of fire as a rising global phenomenon. After travelling to the origin of a wildfire that led to Canada's largest mass evacuation, during the cold dark winter nights, I began experimenting with wood, leaves, seeds and recorded the contact with fire by placing instant film underneath the miniature pyres. The unpredictable heat, colour and light from the contact created Rorschach-esque imprints upon the film. Further experimentation was made with the often discarded peel off portion, which is the film's negative. As climate of Northern Alberta has extreme ranges between winter and summer (-50C to +35C ) the negatives were placed over night in the freezing air to reveal subsequent crystallisation of residual photo chemicals becoming etched on the the film. The intent is to allow a subtle entry into the subject of climate change and viewers imagination. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/0e8d67f4-5ce4-45a6-91d1-d042460685c4/AM_DeadEnd_025.jpg Photography - Pyrograms - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://alan-mcfetridge.com/photography/faultline-w8gem monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1603390808377-GIWT2BRGZPWLB1QAZS60/Sleep Photography - Fault Line - Fault Line Solitude, 2016 © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1513939140305-DMD79ZZ9IVDKSP6W92SF/160429_Remarks_Edge_Master.jpg Photography - Fault Line https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1505879795877-CFJ4KUBRSI3KKVXK09UK/160331_Lyttelon_PineForect_015003_Master.jpg Photography - Fault Line https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508878298108-NSAUQHXSD2KV3AK4B6QL/160619_PORTHILLS_road-fog_Master.jpg Photography - Fault Line https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508878280484-996646PLIBISI2M3OZVY/160531_AvonsideDrive_House_1_Master.jpg Photography - Fault Line https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508413577221-YLQLE1YRD3G18OEG7OLY/160531_AvonsideDrive_Garage_1_Master.jpg Photography - Fault Line https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1505879804206-KYR3CGRKR0N0YLTR2W3G/160605_10_Gilmore_Bedroom_Master.jpg Photography - Fault Line https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508877941162-6NBAI6XN4U3I0WAVNYTY/160421_PinkRoom_V2Master.jpg Photography - Fault Line https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1505879810737-1QNTDGLAKYB8NFER4GBV/160603_RedRoom_Master.jpg Photography - Fault Line https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508413578144-2LK98POVDMFLW9H2B5AW/1605227_Doncaste10_Gilmore-Sleepout_Master.jpg Photography - Fault Line https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508877940753-R9MHBC9L9Z19XJEJO8YE/160524_10_SumnerRd_Living_Master.jpg Photography - Fault Line https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508878361924-OIGODUKOTUX7R7RQ4UZ9/160331_Lyttelon_PineForect_014728_Master.jpg Photography - Fault Line https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1514379272596-UQI3WN9RYPHDY071YYCH/160414_Cave.jpg Photography - Fault Line https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1638273963410-K1OBJQWVM9Y29UZZHCD8/160417_Flat_12_Francesco462_Master.jpg Photography - Fault Line https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1514740223596-RUSKXI7QAJQXE301UOC3/NZFeb2011_Seismogram-large_2.jpg Photography - Fault Line Earthquake Time-Amplitude Graph https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1513939647011-IGOEIW4HDI60TQA75O9D/gyenco_fig_12.1.jpg Photography - Fault Line 10 Minutes of Fetal heart rate and Maternal heart rate monitoring during the 2nd stage of labor. The lower graph (MHR) line has 4 main peaks that correspond to maternal contractions. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1508413360199-XKSXE0R0XZDUMD8GPDNP/160605_10_Gilmore_Bedroom_Master.jpg Photography - Fault Line Wall and Door, 2015. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1513940675749-5WUAJDA634UVA12L8I8N/160429_Remarks_Edge_Master.jpg Photography - Fault Line Fracture, 2015. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1513940909892-24LFGURF13DWZ3LBD6E8/160421_PinkRoom_V2Master.jpg Photography - Fault Line Dusty Air, 2014. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1513938751715-T4HIYTTXUVG0RH24KV8V/160414_Cave.jpg Photography - Fault Line Ruaumoko’s Birth, 2105. https://alan-mcfetridge.com/photography/fire-north monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/893e5174-5788-485a-8bb9-013b7ea9f167/My+blood+is+realted+to+them%2C+2017.+%C2%A9+Alan+McFetridge Photography - Fire North: Book One - Make it stand out My blood is related to them, 2016 © Alan McFetridge. From Fire North: Book One, Fort McMurray, Alberta, Canada. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/05ab6f5a-2cdc-428e-bab0-09c60fbe3a7f/alan-mcfetridge-my-sorrow-comes-at-dawn-2017-fire-north-framed-artwork.jpg Photography - Fire North: Book One - Make it stand out Alan McFetridge, My sorrow comes at dawn, 2017 1920mm x 1610 mm x 70mm. Chroma Print - Museum Grade Cotton Rag with Baryta & Wax Coating. No Glass. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1726579998020-PH55TQCPNF97HK65RJZY/Songs_of_The_Dead_Alan-McFetridge_04.jpg Photography - Fire North: Book One - alan-mcfetridge-fire-north-book-one-fort-mcmurray-2016-2017-04.jpg https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1726579997914-JREH5MW1ZQ9UD098Q1BT/Songs_of_The_Dead_Alan-McFetridge_05.jpg Photography - Fire North: Book One - alan-mcfetridge-fire-north-book-one-fort-mcmurray-2016-2017-02.jpg https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1726580132994-839FS55P5FBS96YXIWIU/Songs_of_The_Dead_Alan-McFetridge_02.jpg Photography - Fire North: Book One - alan-mcfetridge-fire-north-book-one-fort-mcmurray-2016-2017-03.jpg https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1726580133481-B8LG38B27JVXA83IQHU2/Songs_of_The_Dead_Alan-McFetridge_01.jpg Photography - Fire North: Book One - Songs_of_The_Dead_Alan-McFetridge_01.jpg HyperFocal: 0 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1726580134921-R6H81XZVZA4YPTA1VH1S/Songs_of_The_Dead_Alan-McFetridge_06.jpg Photography - Fire North: Book One - alan-mcfetridge-fire-north-book-one-fort-mcmurray-2016-2017-05.jpg https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1726580135347-YNMHV35SZFH6VOHDN1OW/Songs_of_The_Dead_Alan-McFetridge_03.jpg Photography - Fire North: Book One - alan-mcfetridge-fire-north-book-one-fort-mcmurray-2016-2017-06.jpg https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1726580342439-A0F212O5ZA9CXGQ52GY4/Songs_of_The_Dead_Alan-McFetridge_01_detail.jpg Photography - Fire North: Book One - alan-mcfetridge-fire-north-book-one-fort-mcmurray-2016-2017-07.jpg https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/7d465ecb-95ef-43e7-a5d5-c618768e6524/10.jpg Photography - Fire North: Book One - Make it stand out Alan McFetridge, On The Line, 2019 Photographic book from the wider Fire North project, made after fieldwork in Fort McMurray, Alberta, Canada. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1637673474009-DYBPXNROPWPQMCHWTRRZ/AM_Syncrude_WG.jpg Photography - Fire North: Book One - alan-mcfetridge-songs-of-the-dead-wedge-gallery-sydney-2019-01.jpg https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1637673474300-LRWA5SOAUHAWLFDVE8O4/AM_Grayling_WG.jpg Photography - Fire North: Book One - alan-mcfetridge-songs-of-the-dead-wedge-gallery-sydney-2019-02.jpg https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1637673474710-50DPI5C6BSFVJX5AQP8Y/Exhibition%2BDetail%2C%2B2019.jpeg Photography - Fire North: Book One - alan-mcfetridge-songs-of-the-dead-wedge-gallery-sydney-2019-03.jpg https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1637673475389-GCW1EFB7R27XLR055GCN/AM_Waterways_Ross_WG.jpg Photography - Fire North: Book One - alan-mcfetridge-songs-of-the-dead-wedge-gallery-sydney-2019-04.jpg https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/719f6272-c91e-42f6-a1a8-61019c72438d/MAR_Nominee_2022_EN.jpg Photography - Fire North: Book One - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/88afccff-dd3a-4f6e-b666-fae5f2257146/170129_FortMc_New_Sub_Div_Master_B.jpg Photography - Fire North: Book One - Make it stand out I Am Weary of the Poets, 2017 © Alan McFetridge https://alan-mcfetridge.com/photography/on-the-line-2016-2017-46cay monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/e9b47d52-8c10-45c8-abb3-81fd45e3ee3f/211012_Copy+of+Framed+On+The+Line+Edition+No+358284.jpg Photography - On The Line (2016 -2017) - On the line, 2019. Detail: frame texture and print. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1773252767654-27Y53KAWWZUJ14BXQ9HL/211012_Copy+of+Framed+On+The+Line+Edition+No+358292.jpg Photography - On The Line (2016 -2017) - 211012_Copy of Framed On The Line Edition No 358292.jpg HyperFocal: 0 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1773252768082-NJ98ZZ3IUSTRCAMECG8I/211012_Copy+of+Framed+On+The+Line+Edition+No+358291.jpg Photography - On The Line (2016 -2017) - 211012_Copy of Framed On The Line Edition No 358291.jpg HyperFocal: 0 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1773252769132-71N1RQJMYBTRLZMXI4F5/211012_Copy+of+Framed+On+The+Line+Edition+No+358290.jpg Photography - On The Line (2016 -2017) - 211012_Copy of Framed On The Line Edition No 358290.jpg HyperFocal: 0 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1773252769615-XWN9Q7U9WAFP7QYGSZM8/211012_Copy+of+Framed+On+The+Line+Edition+No+358289.jpg Photography - On The Line (2016 -2017) - 211012_Copy of Framed On The Line Edition No 358289.jpg HyperFocal: 0 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1773252770638-Z7VVUFYT3MLYHKY7MOO0/211012_Copy+of+Framed+On+The+Line+Edition+No+358288.jpg Photography - On The Line (2016 -2017) - 211012_Copy of Framed On The Line Edition No 358288.jpg HyperFocal: 0 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1773252771100-FRKE6NA4T9FUA7CGPKTF/211012_Copy+of+Framed+On+The+Line+Edition+No+358287.jpg Photography - On The Line (2016 -2017) - 211012_Copy of Framed On The Line Edition No 358287.jpg HyperFocal: 0 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1773252772185-7Y76WOP0FPEGO4HO3FKF/211012_Copy+of+Framed+On+The+Line+Edition+No+358286.jpg Photography - On The Line (2016 -2017) - 211012_Copy of Framed On The Line Edition No 358286.jpg HyperFocal: 0 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1773252772655-0CVOB705TWBJQCAZNTYF/211012_Copy+of+Framed+On+The+Line+Edition+No+358285.jpg Photography - On The Line (2016 -2017) - 211012_Copy of Framed On The Line Edition No 358285.jpg HyperFocal: 0 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1773252773640-0875M2SQM9HRALZ19OVU/211012_Copy+of+Framed+On+The+Line+Edition+No+358284.jpg Photography - On The Line (2016 -2017) - 211012_Copy of Framed On The Line Edition No 358284.jpg HyperFocal: 0 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1603369065709-7WKWF5I8FPVTF2LRF8GI/AM_OTL_Grid_2020_1500.jpg Photography - On The Line (2016 -2017) Set of 9: 1830mm x 1500mm https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/efbdfffa-ee73-4d72-875c-d934328d3ef1/4.jpg Photography - On The Line (2016 -2017) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1586853296926-Q1ND8HJ7V1JVLUSVF1X6/160714_Tree_06_575x460_Screen.jpg Photography - On The Line (2016 -2017) © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1586853000540-QF98AE1DF72EIZS0NCR4/160714_Tree_04_575x460_Screen.jpg Photography - On The Line (2016 -2017) © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1586852826973-VFVL231ET7H0EMIETE6Z/160714_Tree_02_575x460_screen.jpg Photography - On The Line (2016 -2017) © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1603360784343-MHKPBK0GVNS29L2PEZLL/Aftermath Photography - On The Line (2016 -2017) Still frame at 03:35 - On The Line. Super 8mm film transferred to video (colour, silent), 4:48min, looped. 2017 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1586853279732-1JGPIYXA8RJK9FF5WHHV/160714_Tree_05_575x460_Screen.jpg Photography - On The Line (2016 -2017) © Alan McFetridge https://alan-mcfetridge.com/photography/on-the-line-2017-short-film-jgl46 monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1519136031176-M6EQJGFEY2HBXIMY3U51/AMC_WFWSWE_118.jpg Photography - On The Line (2017) - Short Film - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/0e8d67f4-5ce4-45a6-91d1-d042460685c4/AM_DeadEnd_025.jpg Photography - On The Line (2017) - Short Film - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://alan-mcfetridge.com/photography/separated-by-meters-p85hy monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/aee82463-75ad-4059-a950-91b03afb809c/212_Meters_Wide.jpg Photography - Separated by Meters, Australia (2018) - Make it stand out 212 meters, 2019. © Alan McFetridge Edition of 6 plus 1 A.P. Chroma Print (Waxed Inkjet on Museum Grade Paper) 753mm x 893mm Frame: Charred Tulip coated with Tung Oil, 783mm x 923mm x 40mm https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/364e6e20-97d1-459b-8ae5-4af8aff5362e/212_Meters_FullPrint_tif.jpg Photography - Separated by Meters, Australia (2018) - Separated By Meters 212 meters, 2019. © Alan McFetridge Edition of 6 plus 1 A.P. Chroma Print (Waxed Inkjet on Museum Grade Paper) 753mm x 893mm Frame: Charred Tulip and Tung Oil, 783mm x 923mm x 40mm https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/c7281c62-8a0f-44ac-a9fb-14683c8b8fdb/212_Meters_Detail.jpg Photography - Separated by Meters, Australia (2018) - Make it stand out Detail: 212 meters, 2019. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1550126641413-CU8WLPJEY128C8F4QTV5/ALA_0218_Menai_137_meters.jpg Photography - Separated by Meters, Australia (2018) - Artifacts and Landscapes from Menai, New South Wales, Australia (Copy) Objects and Landscape found immmediately after the 2018 Menai Bush Fire, Sydney, Australia https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1550127249395-WWA5O8NJ1QWYZFXSAX1N/ALA_0218_Menai_Vice.jpg Photography - Separated by Meters, Australia (2018) - Artifacts and Landscapes from Menai, New South Wales, Australia (Copy) Objects and Landscape found immmediately after the 2018 Menai Bush Fire, Sydney, Australia https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1550127064161-ZWZCYAULIJEACBBGOBQS/ALA_0218_Menai_554_meters.jpg Photography - Separated by Meters, Australia (2018) - Artifacts and Landscapes from Menai, New South Wales, Australia (Copy) Objects and Landscape found immmediately after the 2018 Menai Bush Fire, Sydney, Australia https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1550127004225-DJIC9Z0R8P4UBM76DVU4/ALA_0218_Menai_Coke_Can.jpg Photography - Separated by Meters, Australia (2018) - Artifacts and Landscapes from Menai, New South Wales, Australia (Copy) Objects and Landscape found immmediately after the 2018 Menai Bush Fire, Sydney, Australia https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1550126369503-UIO1AT9P29EJWNNEXNRG/ALA_0218_Menai_21_meters.jpg Photography - Separated by Meters, Australia (2018) - Artifacts and Landscapes from Menai, New South Wales, Australia (Copy) Objects and Landscape found immmediately after the 2018 Menai Bush Fire, Sydney, Australia https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1550127110345-9E6V0MB6C3ZV74DJCB08/ALA_0218_Menai_Foil.jpg Photography - Separated by Meters, Australia (2018) - Artifacts and Landscapes from Menai, New South Wales, Australia (Copy) Objects and Landscape found immmediately after the 2018 Menai Bush Fire, Sydney, Australia https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1550126370252-6MN2JJXLCPDJ604AZT6W/ALA_0218_Menai_10_meters.jpg Photography - Separated by Meters, Australia (2018) - Artifacts and Landscapes from Menai, New South Wales, Australia (Copy) Objects and Landscape found immmediately after the 2018 Menai Bush Fire, Sydney, Australia https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1550127103842-X9WCU78ZQ7RX6Z2JBMWP/ALA_0218_Menai_Cutters.jpg Photography - Separated by Meters, Australia (2018) - Artifacts and Landscapes from Menai, New South Wales, Australia (Copy) Objects and Landscape found immmediately after the 2018 Menai Bush Fire, Sydney, Australia https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1550126957334-O2RP8H8Z8CGAO9SPEI13/ALA_0218_Menai_316_meters.jpg Photography - Separated by Meters, Australia (2018) - Artifacts and Landscapes from Menai, New South Wales, Australia (Copy) Objects and Landscape found immmediately after the 2018 Menai Bush Fire, Sydney, Australia https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1550127158732-RBZAHYIO7OAFQZC6UJ3M/ALA_0218_Menai_Tax_Invoice.jpg Photography - Separated by Meters, Australia (2018) - Artifacts and Landscapes from Menai, New South Wales, Australia (Copy) Objects and Landscape found immmediately after the 2018 Menai Bush Fire, Sydney, Australia https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1550126929861-7SJA01N0PSFUD1890GDQ/ALA_0218_Menai_414_meters.jpg Photography - Separated by Meters, Australia (2018) - Artifacts and Landscapes from Menai, New South Wales, Australia (Copy) Objects and Landscape found immmediately after the 2018 Menai Bush Fire, Sydney, Australia https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1550127058036-6IN0N72IIOE6G3074RR3/ALA_0218_Menai_Cold_Chisel.jpg Photography - Separated by Meters, Australia (2018) - Artifacts and Landscapes from Menai, New South Wales, Australia (Copy) Objects and Landscape found immmediately after the 2018 Menai Bush Fire, Sydney, Australia https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1550126719267-9PQILBTJV8KXSGR66HW4/ALA_0218_Menai_178_meters.jpg Photography - Separated by Meters, Australia (2018) - Artifacts and Landscapes from Menai, New South Wales, Australia (Copy) Objects and Landscape found immmediately after the 2018 Menai Bush Fire, Sydney, Australia https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1550126667806-04OFG07R5H86TFA7A886/ALA_0218_Menai_272_meters.jpg Photography - Separated by Meters, Australia (2018) - Artifacts and Landscapes from Menai, New South Wales, Australia (Copy) HyperFocal: 0 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1550127273916-EH4MGLHZPAZZ7JLSE0C5/ALA_0218_Menai_Number_Plate.jpg Photography - Separated by Meters, Australia (2018) - Artifacts and Landscapes from Menai, New South Wales, Australia (Copy) Objects and Landscape found immmediately after the 2018 Menai Bush Fire, Sydney, Australia https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1550126110482-MIVIL0PPLHOQ8L9GXXPL/316+meters.jpg Photography - Separated by Meters, Australia (2018) 316 meters, 2019. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1550125739708-CXDLO92I1UYT1SDY2E8R/ALA_0218_Menai_Cutters.jpg Photography - Separated by Meters, Australia (2018) Cutters, 2018. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1550125809219-8O18YLCQXN7IRMAUZXTY/ALA_0218_Menai_Coke_Can.jpg Photography - Separated by Meters, Australia (2018) Coke Can, 2018. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/2adc75de-ef90-420c-a7ba-dcde3a99f351/Double.jpg Photography - Separated by Meters, Australia (2018) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://alan-mcfetridge.com/photography/river-derwent-yppxt monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/08b65370-111e-4a36-81e5-1b49c42474ec/AM_The-River-Derwent-and-Hobart-Town%2C-Lutruwita-c2019-.jpg Photography - The River Derwent and Hobart Town, Lutruwita (c1831- 2019) The River Derwent and Hobart Town, Lutruwita (c1831- 2019) Pigment ink print Diptych: 32.6 × 86 - Edition of 6 + 2AP First Printed by Alan McFetridge in 2020 © Alan McFetridge https://alan-mcfetridge.com/photography/synchronicity-bcr4l monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1607943641210-084KFBQKDH08KPUZHZQ1/Hunters+Moon Photography - Synchronicity (2018 - 19) Hunters Moon, 2018. 200cm x 119cm © Alan McFetridge https://alan-mcfetridge.com/photography/treasure-island-2l448 monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1556169337699-WPHZCFF384PCK59KP78C/AM_Bulk_of_the_Treasure_Buried_Here.jpg Photography - Skeleton Island - Skeleton Island Bulk of the Treasure Buried Here, 2019. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1556237530843-TPHEQNWFQYPL3CZVFPNJ/AM_Bulk_of_the_Treasure_Buried_Here.jpg Photography - Skeleton Island Bulk of the Treasure Buried Here, October 2018 - North West of Lanzarote in the Canary Islands is an islet known as La Graciosa. It bears a remarkable resemblance to Treasure Island in Robert Louis Stevenson’s novel of the same name. Remotely located in the Atlantic Ocean with strong currents and shorelines of few beaches and treacherous craggy rocks abound. The titles in this series are taken from the map drawn by the Scottish author to accompany the 1883 adventure novel as the islet prepares to bury an unwanted treasure. Today La Graciosa is accessible by boat and part of a UNESCO World Heritage Nature Reserve of islets and marine area. The volcanic landscape is predominately undisturbed by humans with a few unsealed tracks for tourists and caretakers of the reserve. Without a natural water supply, island life is assisted with desalinated water piped from neighbouring Lanzarote and a frequent ferry service bring tourists and supplies up to 10 times a day. The population is 700. UNESCO says the region is “an authentic outdoor museum”. It is also a focal point for sea plastic to land ashore. Ocean currents carry discarded plastic from Africa and Europe here. Alex Rivera, a biologist with the World Wildlife Fund (WWF) collects 4500 - 6000kgs of large plastics annually - before they break down, become brittle then crumble into the food chain as dangerous micro plastic. This has prompted building a plastic recyling station to cope with the waste. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1556237666439-GIZS0KXZ7TWNFUPHL7GC/AM_Mizzen_Mast_Hill.jpg Photography - Skeleton Island Mizzen Mast Hill, October 2018 - North West of Lanzarote in the Canary Islands is an islet known as La Graciosa. It bears a remarkable resemblance to Treasure Island in Robert Louis Stevenson’s novel of the same name. Remotely located in the Atlantic Ocean with strong currents and shorelines of few beaches and treacherous craggy rocks abound. The titles in this series are taken from the map drawn by the Scottish author to accompany the 1883 adventure novel as the islet prepares to bury an unwanted treasure. Today La Graciosa is accessible by boat and part of a UNESCO World Heritage Nature Reserve of islets and marine area. The volcanic landscape is predominately undisturbed by humans with a few unsealed tracks for tourists and caretakers of the reserve. Without a natural water supply, island life is assisted with desalinated water piped from neighbouring Lanzarote and a frequent ferry service bring tourists and supplies up to 10 times a day. The population is 700. UNESCO says the region is “an authentic outdoor museum”. It is also a focal point for sea plastic to land ashore. Ocean currents carry discarded plastic from Africa and Europe here. Alex Rivera, a biologist with the World Wildlife Fund (WWF) collects 4500 - 6000kgs of large plastics annually - before they break down, become brittle then crumble into the food chain as dangerous micro plastic. This has prompted building a plastic recyling station to cope with the waste. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1556237592298-R267TZSOT3TAZ0KSQOGD/AM_Hereabouts_Ben_Gunn_and_J_Hawkins_met.jpg Photography - Skeleton Island Hereabouts Ben Gunn and J. Hawkins Meet, October 2018 - North West of Lanzarote in the Canary Islands is an islet known as La Graciosa. It bears a remarkable resemblance to Treasure Island in Robert Louis Stevenson’s novel of the same name. Remotely located in the Atlantic Ocean with strong currents and shorelines of few beaches and treacherous craggy rocks abound. The titles in this series are taken from the map drawn by the Scottish author to accompany the 1883 adventure novel as the islet prepares to bury an unwanted treasure. Today La Graciosa is accessible by boat and part of a UNESCO World Heritage Nature Reserve of islets and marine area. The volcanic landscape is predominately undisturbed by humans with a few unsealed tracks for tourists and caretakers of the reserve. Without a natural water supply, island life is assisted with desalinated water piped from neighbouring Lanzarote and a frequent ferry service bring tourists and supplies up to 10 times a day. The population is 700. UNESCO says the region is “an authentic outdoor museum”. It is also a focal point for sea plastic to land ashore. Ocean currents carry discarded plastic from Africa and Europe here. Alex Rivera, a biologist with the World Wildlife Fund (WWF) collects 4500 - 6000kgs of large plastics annually - before they break down, become brittle then crumble into the food chain as dangerous micro plastic. This has prompted building a plastic recyling station to cope with the waste. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1556237722698-FSXK8MWINNWRM0M7ZRI6/AM_Rum_Cove.jpg Photography - Skeleton Island Rum Cove, October 2018 - North West of Lanzarote in the Canary Islands is an islet known as La Graciosa. It bears a remarkable resemblance to Treasure Island in Robert Louis Stevenson’s novel of the same name. Remotely located in the Atlantic Ocean with strong currents and shorelines of few beaches and treacherous craggy rocks abound. The titles in this series are taken from the map drawn by the Scottish author to accompany the 1883 adventure novel as the islet prepares to bury an unwanted treasure. Today La Graciosa is accessible by boat and part of a UNESCO World Heritage Nature Reserve of islets and marine area. The volcanic landscape is predominately undisturbed by humans with a few unsealed tracks for tourists and caretakers of the reserve. Without a natural water supply, island life is assisted with desalinated water piped from neighbouring Lanzarote and a frequent ferry service bring tourists and supplies up to 10 times a day. The population is 700. UNESCO says the region is “an authentic outdoor museum”. It is also a focal point for sea plastic to land ashore. Ocean currents carry discarded plastic from Africa and Europe here. Alex Rivera, a biologist with the World Wildlife Fund (WWF) collects 4500 - 6000kgs of large plastics annually - before they break down, become brittle then crumble into the food chain as dangerous micro plastic. This has prompted building a plastic recyling station to cope with the waste. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1556237942697-RLA68LJ494NJRMLZTTJJ/AM_Swamp.jpg Photography - Skeleton Island Swamp, October 2018 - North West of Lanzarote in the Canary Islands is an islet known as La Graciosa. It bears a remarkable resemblance to Treasure Island in Robert Louis Stevenson’s novel of the same name. Remotely located in the Atlantic Ocean with strong currents and shorelines of few beaches and treacherous craggy rocks abound. The titles in this series are taken from the map drawn by the Scottish author to accompany the 1883 adventure novel as the islet prepares to bury an unwanted treasure. Today La Graciosa is accessible by boat and part of a UNESCO World Heritage Nature Reserve of islets and marine area. The volcanic landscape is predominately undisturbed by humans with a few unsealed tracks for tourists and caretakers of the reserve. Without a natural water supply, island life is assisted with desalinated water piped from neighbouring Lanzarote and a frequent ferry service bring tourists and supplies up to 10 times a day. The population is 700. UNESCO says the region is “an authentic outdoor museum”. It is also a focal point for sea plastic to land ashore. Ocean currents carry discarded plastic from Africa and Europe here. Alex Rivera, a biologist with the World Wildlife Fund (WWF) collects 4500 - 6000kgs of large plastics annually - before they break down, become brittle then crumble into the food chain as dangerous micro plastic. This has prompted building a plastic recyling station to cope with the waste. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1556686047296-H9HSHDWFQIHEO99RB7KV/AM_Cape_of_the_Woods.jpg Photography - Skeleton Island Cape of The Woods, October 2018 - North West of Lanzarote in the Canary Islands is an islet known as La Graciosa. It bears a remarkable resemblance to Treasure Island in Robert Louis Stevenson’s novel of the same name. Remotely located in the Atlantic Ocean with strong currents and shorelines of few beaches and treacherous craggy rocks abound. The titles in this series are taken from the map drawn by the Scottish author to accompany the 1883 adventure novel as the islet prepares to bury an unwanted treasure. Today La Graciosa is accessible by boat and part of a UNESCO World Heritage Nature Reserve of islets and marine area. The volcanic landscape is predominately undisturbed by humans with a few unsealed tracks for tourists and caretakers of the reserve. Without a natural water supply, island life is assisted with desalinated water piped from neighbouring Lanzarote and a frequent ferry service bring tourists and supplies up to 10 times a day. The population is 700. UNESCO says the region is “an authentic outdoor museum”. It is also a focal point for sea plastic to land ashore. Ocean currents carry discarded plastic from Africa and Europe here. Alex Rivera, a biologist with the World Wildlife Fund (WWF) collects 4500 - 6000kgs of large plastics annually - before they break down, become brittle then crumble into the food chain as dangerous micro plastic. This has prompted building a plastic recyling station to cope with the waste. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1556237921984-1KJYGGTHTNEV6L3PTPA7/AM_Spye_Glass_Hill.jpg Photography - Skeleton Island - ADD Title Spye Glass Hill, October 2018 - North West of Lanzarote in the Canary Islands is an islet known as La Graciosa. It bears a remarkable resemblance to Treasure Island in Robert Louis Stevenson’s novel of the same name. Remotely located in the Atlantic Ocean with strong currents and shorelines of few beaches and treacherous craggy rocks abound. The titles in this series are taken from the map drawn by the Scottish author to accompany the 1883 adventure novel as the islet prepares to bury an unwanted treasure. Today La Graciosa is accessible by boat and part of a UNESCO World Heritage Nature Reserve of islets and marine area. The volcanic landscape is predominately undisturbed by humans with a few unsealed tracks for tourists and caretakers of the reserve. Without a natural water supply, island life is assisted with desalinated water piped from neighbouring Lanzarote and a frequent ferry service bring tourists and supplies up to 10 times a day. The population is 700. UNESCO says the region is “an authentic outdoor museum”. It is also a focal point for sea plastic to land ashore. Ocean currents carry discarded plastic from Africa and Europe here. Alex Rivera, a biologist with the World Wildlife Fund (WWF) collects 4500 - 6000kgs of large plastics annually - before they break down, become brittle then crumble into the food chain as dangerous micro plastic. This has prompted building a plastic recyling station to cope with the waste. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1556237640400-UFAQISWUYIS7LM803ESU/AM_Haulbowline_Head.jpg Photography - Skeleton Island Haulbowline Head, October 2018 - North West of Lanzarote in the Canary Islands is an islet known as La Graciosa. It bears a remarkable resemblance to Treasure Island in Robert Louis Stevenson’s novel of the same name. Remotely located in the Atlantic Ocean with strong currents and shorelines of few beaches and treacherous craggy rocks abound. The titles in this series are taken from the map drawn by the Scottish author to accompany the 1883 adventure novel as the islet prepares to bury an unwanted treasure. Today La Graciosa is accessible by boat and part of a UNESCO World Heritage Nature Reserve of islets and marine area. The volcanic landscape is predominately undisturbed by humans with a few unsealed tracks for tourists and caretakers of the reserve. Without a natural water supply, island life is assisted with desalinated water piped from neighbouring Lanzarote and a frequent ferry service bring tourists and supplies up to 10 times a day. The population is 700. UNESCO says the region is “an authentic outdoor museum”. It is also a focal point for sea plastic to land ashore. Ocean currents carry discarded plastic from Africa and Europe here. Alex Rivera, a biologist with the World Wildlife Fund (WWF) collects 4500 - 6000kgs of large plastics annually - before they break down, become brittle then crumble into the food chain as dangerous micro plastic. This has prompted building a plastic recyling station to cope with the waste. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1556238004183-ICEI2CQF0S2F5A518C1S/AM_White_Rock.jpg Photography - Skeleton Island White Rock, October 2018 - North West of Lanzarote in the Canary Islands is an islet known as La Graciosa. It bears a remarkable resemblance to Treasure Island in Robert Louis Stevenson’s novel of the same name. Remotely located in the Atlantic Ocean with strong currents and shorelines of few beaches and treacherous craggy rocks abound. The titles in this series are taken from the map drawn by the Scottish author to accompany the 1883 adventure novel as the islet prepares to bury an unwanted treasure. Today La Graciosa is accessible by boat and part of a UNESCO World Heritage Nature Reserve of islets and marine area. The volcanic landscape is predominately undisturbed by humans with a few unsealed tracks for tourists and caretakers of the reserve. Without a natural water supply, island life is assisted with desalinated water piped from neighbouring Lanzarote and a frequent ferry service bring tourists and supplies up to 10 times a day. The population is 700. UNESCO says the region is “an authentic outdoor museum”. It is also a focal point for sea plastic to land ashore. Ocean currents carry discarded plastic from Africa and Europe here. Alex Rivera, a biologist with the World Wildlife Fund (WWF) collects 4500 - 6000kgs of large plastics annually - before they break down, become brittle then crumble into the food chain as dangerous micro plastic. This has prompted building a plastic recyling station to cope with the waste. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1556237819215-CL4BQGN1CAQ2JJHRIF3G/AM_Skeleton_Island.jpg Photography - Skeleton Island Skeleton Island, October 2018 - North West of Lanzarote in the Canary Islands is an islet known as La Graciosa. It bears a remarkable resemblance to Treasure Island in Robert Louis Stevenson’s novel of the same name. Remotely located in the Atlantic Ocean with strong currents and shorelines of few beaches and treacherous craggy rocks abound. The titles in this series are taken from the map drawn by the Scottish author to accompany the 1883 adventure novel as the islet prepares to bury an unwanted treasure. Today La Graciosa is accessible by boat and part of a UNESCO World Heritage Nature Reserve of islets and marine area. The volcanic landscape is predominately undisturbed by humans with a few unsealed tracks for tourists and caretakers of the reserve. Without a natural water supply, island life is assisted with desalinated water piped from neighbouring Lanzarote and a frequent ferry service bring tourists and supplies up to 10 times a day. The population is 700. UNESCO says the region is “an authentic outdoor museum”. It is also a focal point for sea plastic to land ashore. Ocean currents carry discarded plastic from Africa and Europe here. Alex Rivera, a biologist with the World Wildlife Fund (WWF) collects 4500 - 6000kgs of large plastics annually - before they break down, become brittle then crumble into the food chain as dangerous micro plastic. This has prompted building a plastic recyling station to cope with the waste. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1609149765306-1XC4PQQXMU3DTMPO4P9C/Treasure-island-map_REAL.jpg Photography - Skeleton Island https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1556650589838-GP2SOM57M7ZN5DYQIS6Z/AM_Treasure_Island_Map.jpg Photography - Skeleton Island https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1609149366813-A9RLQ8QQO5GN0MYCH625/AM_Hereabouts_Ben_Gunn_and_J_Hawkins_met.jpg Photography - Skeleton Island Hereabouts Ben Gunn and J. Hawkins met, 2019. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1556168091283-UDAMJPEKWWIXVVRCFS91/AM_Rum_Cove.jpg Photography - Skeleton Island Rum Cove, 2019. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1609149630631-0PGPCS7LHSMMZRC2YMG5/AM_Spye_Glass_Hill.jpg Photography - Skeleton Island Spye Glass Hill, 2019. © Alan McFetridge https://alan-mcfetridge.com/photography/dead-reckoning-ntdcy monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/07d06f75-7c89-427b-9c61-118f4004b0cc/AM_03.jpg Photography - Dead Reckoning Earth Shadow Rising, 2022. 110cm x180cm © Alan McFetridge https://alan-mcfetridge.com/photography/healing-flame-australia-2019-g22p8 monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1606059331304-LG6HIQKK2NG2SLX1Z0Y9/201120_CF017710_Ross_01_Master%29b.jpg Photography - Healing Flames - Fire as an Ally, Lutruwita/Tasmania. (2019) - fire in australia Fire as a Friend, a Regenerative Power: Indigenous Fire Knowledge as applied with the leadership of the Tasmanian Aboriginal Centre. Traditional Custodians know what to burn, when and how it’s helps other plants and animals. Lutruwita/Tasmania, 2019 © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/99b97bfc-7e3e-424c-8bd1-85f8447c4f2a/201118_Ross_LowerField_Burn_1.jpg Photography - Healing Flames - Fire as an Ally, Lutruwita/Tasmania. (2019) - Make it stand out Title: Good Fire, 2019. 100cm x 125cm. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/3ff40c6f-acef-4993-9b5b-a89a29357355/AM_Healers.jpg Photography - Healing Flames - Fire as an Ally, Lutruwita/Tasmania. (2019) - Make it stand out Healers, 2019. Archival waxed inkjet Print 100cm x 200cm. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/238d5524-d0a5-4587-a8ab-ecfb39a71c8c/AM_Tasmania_Smoking_Field.jpg Photography - Healing Flames - Fire as an Ally, Lutruwita/Tasmania. (2019) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/7afbb58c-9568-4de3-8984-88c5643e8d55/Dawn_Tree-Skeleton.jpg Photography - Healing Flames - Fire as an Ally, Lutruwita/Tasmania. (2019) - Make it stand out Skeleton Tree, 2019. © Alan McFetridge. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/97bfd3cf-370c-4e1c-90b1-a3a84cf849f5/Tree_of-Life_1.jpg Photography - Healing Flames - Fire as an Ally, Lutruwita/Tasmania. (2019) - Make it stand out Tree of Life, 2019. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/d2af8011-1473-44ff-8436-ff8cd3764963/AM_Tasmania_Night_9.jpg Photography - Healing Flames - Fire as an Ally, Lutruwita/Tasmania. (2019) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1606491781855-6LRSSWYCBJGILGBDUY9N/AM_The-River-Derwent-and-Hobart-Town%2C-Lutruwita-c2019-.jpg Photography - Healing Flames - Fire as an Ally, Lutruwita/Tasmania. (2019) Alan McFetridge (1971 - ) The River Derwent and Hobart Town, Lutruwita (c1831- 2019) Pigment ink print Diptych: 32.6 × 86 - Edition of 6 + 2AP First Printed by Alan McFetridge in 2020 Left: John Glover (1767 - 1849) The River Derwent and Hobart Town c1831 oil 51.5 x 71.5 Purchased with funds provided by the Art Foundation of Tasmania, the Sir James Plimsoll Bequest, Sir John Cameron, Mrs G F Davies, Mr C H Grant, Mr Roderick O’Connor, Coles Myer Ltd, the Commonwealth Bank of Australia, Foundation Ten, the Friends of the Tasmanian Museum and Art Gallery, anonymous benefactors and public donations, 1990.Collection: Tasmanian Museum and Art Gallery AG5458 Printed from a digital file courtesy of Tasmanian Museum and Art Gallery. pigment ink print 32.6 × 45.5 Printed by Alan McFetridge in 2020 Right: Alan McFetridge (1971 - ) The River Derwent and Hobart Town , Lutruwita c2019 Pigment ink print First printed by Alan McFetridge in 2020 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1c60ce11-4e25-4be8-9d7a-b3fc7b99175a/Double.jpg Photography - Healing Flames - Fire as an Ally, Lutruwita/Tasmania. (2019) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://alan-mcfetridge.com/photography/synthesis-tgbhc monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1604685974690-K28FC8E89PLTJPRND8H2/201101_Creation_1.jpg Photography - I Am Transforming. (2020) - Synthesis | Light & Colour Creation #1, 2020. 60cm x 60cm Inkjet Print © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1605001218564-BTRVQL0BI83EERG1RS1R/201101_Creation_3.jpg Photography - I Am Transforming. (2020) Creation #3, 2020. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1605090835025-TZG8ENPDLDV0JGML67FD/201101_Creation_6.jpg Photography - I Am Transforming. (2020) Creation #6, 2020. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1605089889503-JHTDVGEHPNCZ7QYLZBDY/201101_Creation_5.jpg Photography - I Am Transforming. (2020) Creation #5, 2020. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1605192577112-VHSO7QAET372YNJW3QHE/201101_Creation_9.jpg Photography - I Am Transforming. (2020) Creation #8, 2020. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1605192547770-SUR92DD9ZGVCFKQH1G4Q/201101_Creation_8.jpg Photography - I Am Transforming. (2020) Creation #8, 2020. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1604782155975-HMZPSAJP6VPPYK1Q7UW5/201101_Creation_2.jpg Photography - I Am Transforming. (2020) Creation #2, 2020. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1605089844695-JRYEXWXFEN82WZF4MU9K/201101_Creation_4a.jpg Photography - I Am Transforming. (2020) Creation #4, 2020. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1605192505631-NTHC7PI9IFHRH3PG8WNP/201101_Creation_7.jpg Photography - I Am Transforming. (2020) Creation #7, 2020. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/e2742e1e-4188-411a-a6b7-0dbd040bde5b/AMC_WFWSWE_044.jpg Photography - I Am Transforming. (2020) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://alan-mcfetridge.com/photography/dust-shadows-2020-bfxlh monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1731405975766-8PHUZ1RTRTKUAVF5URB3/AM_GolfBall_Website_03.jpg Photography - Dust & Shadows, 2020 Dust and Shadows 2020. 140cm W x180cm H © Alan McFetridge https://alan-mcfetridge.com/photography/night-of-bull-spirit-2020-w3c5d monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/2007d1e2-cc87-4e80-a967-c43c17052997/AM_The-Night-I-Met-Bull-Spirit.jpg Photography - Night of The Bull Spirit (2020) The Night of the Bull Spirit, 2019 1610 mm x 1920mm x 70mm. Raw canvas and charcoal © Alan McFetridge https://alan-mcfetridge.com/photography/carbon-nb5dm monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/cfbf048c-b513-458b-85c9-7bff9cb9ef76/AM_Charcoal_Dust.jpg Photography - Carbon After Image - Studio Wall. 2019. 1600mm x 1900mm © Alan McFetridge https://alan-mcfetridge.com/photography/pyrocumulonimbus-super-outbreak-australia-2020-n6djw monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/d59bff40-bcba-4577-a8ab-6b05868c6d3e/alan-mcfetridge-aftermath-pyrocumulonimbus-bega-new-south-wales-2020.jpg Photography - Pyrocumulonimbus Super Outbreak: Aftermath of the Black Summer Fires, Australia (2019–2020) - fire in australia Alan McFetridge, Aftermath of a Pyrocumulonimbus near Bega, New South Wales, 2020 From Pyrocumulonimbus Super Outbreak: Aftermath of the Black Summer Fires, Australia 2019–2020. © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1606491781855-6LRSSWYCBJGILGBDUY9N/AM_The-River-Derwent-and-Hobart-Town%2C-Lutruwita-c2019-.jpg Photography - Pyrocumulonimbus Super Outbreak: Aftermath of the Black Summer Fires, Australia (2019–2020) Alan McFetridge (1971 - ) The River Derwent and Hobart Town, Lutruwita (c1831- 2019) Pigment ink print Diptych: 32.6 × 86 - Edition of 6 + 2AP First Printed by Alan McFetridge in 2020 Left: John Glover (1767 - 1849) The River Derwent and Hobart Town c1831 oil 51.5 x 71.5 Purchased with funds provided by the Art Foundation of Tasmania, the Sir James Plimsoll Bequest, Sir John Cameron, Mrs G F Davies, Mr C H Grant, Mr Roderick O’Connor, Coles Myer Ltd, the Commonwealth Bank of Australia, Foundation Ten, the Friends of the Tasmanian Museum and Art Gallery, anonymous benefactors and public donations, 1990.Collection: Tasmanian Museum and Art Gallery AG5458 Printed from a digital file courtesy of Tasmanian Museum and Art Gallery. pigment ink print 32.6 × 45.5 Printed by Alan McFetridge in 2020 Right: Alan McFetridge (1971 - ) The River Derwent and Hobart Town , Lutruwita c2019 Pigment ink print First printed by Alan McFetridge in 2020 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1c60ce11-4e25-4be8-9d7a-b3fc7b99175a/Double.jpg Photography - Pyrocumulonimbus Super Outbreak: Aftermath of the Black Summer Fires, Australia (2019–2020) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://alan-mcfetridge.com/photography/landscape-fire-greece-2021-xkscf monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/a03a2143-3265-4691-aaa4-6dcdeee1a890/Night_Fire.jpg Photography - Antiquity in the Pyrocene (2021-2023) - Make it stand out Fire Front, near Villa, 2021 © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/6a224542-cf74-4e84-b93a-933a558897f0/05_Fabric-Warehouse_Athens_Hero_b2.jpg Photography - Antiquity in the Pyrocene (2021-2023) - Make it stand out Garment factory with National Forest Park of Parniarniha, North West of central Athens, 2023 © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1674936058181-TPCT5GYP4XGZHRPROJJR/1.jpg Photography - Antiquity in the Pyrocene (2021-2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1674936058194-MUP441D0KVIDNWPE39EG/2.jpg Photography - Antiquity in the Pyrocene (2021-2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1674936066052-9EM6BT644GELURRJGPJG/3.jpg Photography - Antiquity in the Pyrocene (2021-2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1674936066338-Y483FFRZXRWYYXGZ7N0X/4.jpg Photography - Antiquity in the Pyrocene (2021-2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/7d465ecb-95ef-43e7-a5d5-c618768e6524/10.jpg Photography - Antiquity in the Pyrocene (2021-2023) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1637673474009-DYBPXNROPWPQMCHWTRRZ/AM_Syncrude_WG.jpg Photography - Antiquity in the Pyrocene (2021-2023) HyperFocal: 0 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1637673474300-LRWA5SOAUHAWLFDVE8O4/AM_Grayling_WG.jpg Photography - Antiquity in the Pyrocene (2021-2023) HyperFocal: 0 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1637673474710-50DPI5C6BSFVJX5AQP8Y/Exhibition%2BDetail%2C%2B2019.jpeg Photography - Antiquity in the Pyrocene (2021-2023) HyperFocal: 0 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1637673475389-GCW1EFB7R27XLR055GCN/AM_Waterways_Ross_WG.jpg Photography - Antiquity in the Pyrocene (2021-2023) HyperFocal: 0 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1655970879611-67THZUS83X7PJV1ND0IB/201118_Fire_Lines.jpeg Photography - Antiquity in the Pyrocene (2021-2023) - Make it stand out Fire Lines, 2019 © Alan McFetridge https://alan-mcfetridge.com/photography/wennington-essex-2022-nsskp monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/813f37b1-dc12-4e23-aa73-ccb72ac52589/220722_Wenington_Fire_02_D.jpg Photography - Dormant Legacy of Fire in the British Landscape, 2022 Funeral Plume and Kestral. Wennington, 2022 © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/759a36b5-a530-44bc-a65e-3070fc888f1d/220722_Wenington_Fire.jpg Photography - Dormant Legacy of Fire in the British Landscape, 2022 - Make it stand out No Barren Cycle is This, 2022 © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/632dd3d3-e2ef-4002-9a05-c63167809e86/220722_Wenington_Fire_03.jpg Photography - Dormant Legacy of Fire in the British Landscape, 2022 - Make it stand out I Took The Clay Track, 2022 © Alan McFetridge https://alan-mcfetridge.com/photography/fires-of-innocence-2022-pkkna monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/f56a6b5f-7f94-46b2-9cc7-7e6f9c76dc10/Fire_-Migirdic_Civanyan_IMG_9144.jpg Photography - Fires of Innocence (2022) - Make it stand out Fire by Migirdic Civanyan 1848 -1906. Found on display at the exhibition ‘Bursai - This Place’ at Yapı Kredi Museum, Istanbul, 2022. Curated by Kevser Güler Cinkaya https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1519136031176-M6EQJGFEY2HBXIMY3U51/AMC_WFWSWE_118.jpg Photography - Fires of Innocence (2022) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/0e8d67f4-5ce4-45a6-91d1-d042460685c4/AM_DeadEnd_025.jpg Photography - Fires of Innocence (2022) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://alan-mcfetridge.com/photography/burn-scar-2022-yjr6z monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/725d6abc-2715-4e66-9e9f-b9ab58193d00/2016-05-02-true_Cropped_C.jpg Photography - Fort McMurray Burn Scar (2022) - Make it stand out The first plumes of smoke southeast of Fort McMurray on 2 May 2016. Within the next 48 hours, the fire became supercharged, creating a fire cloud that released lightning up to 20 kilometres away. Soon after the satellite passed over this region, all 80,000 residents of the urban service centre were evacuated with little or no warning. © Alan McFetridge, CEP and ESA https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/c414853a-3c6e-47ed-bf8a-56b949a35266/2016-07-01-true_cropped.jpg Photography - Fort McMurray Burn Scar (2022) - Make it stand out 1 July 2016, the fire then spread over 589,000 Hectares in 30 days © Alan McFetridge, CEP and ESA https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/9105a5a2-ae1f-4270-a15d-ae11db7ef15c/2017-02-16-true_cropped.jpg Photography - Fort McMurray Burn Scar (2022) - Make it stand out Mid-winter, 16 February 2017. The burn scar remains visible as the burnt forest tree canopy has altered. Holdover fires, fires that continue to smoulder under snow cover during the winter and reappear the following spring - could become much more common with more peat fires. © Alan McFetridge, CEP and ESA https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/d2be0475-b3dd-42b6-873c-189e041027ad/2017-05-27-true_cropped.jpg Photography - Fort McMurray Burn Scar (2022) - Make it stand out 27 May 2017. 12 months later, the landscape appearance shows the burn scar, recovery and indication that 12 months earlier, it was much drier as the brown earth shows through.\ © Alan McFetridge, CEP and ESA https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1657801424237-DY5Y8QSTIOCPC6I5OZY2/london.jpg Photography - Fort McMurray Burn Scar (2022) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1657801423735-OVXCM57UH0UZWT2TVITN/Athens.jpg Photography - Fort McMurray Burn Scar (2022) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1657801428713-0O6TKOLEH5DAJF0UJTL1/paris.jpg Photography - Fort McMurray Burn Scar (2022) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1657801427595-EF5KJLY8A0KTB91AB3NS/Sydney.jpg Photography - Fort McMurray Burn Scar (2022) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/fa740be0-cdde-4ea3-94a4-9fa6459b7ace/220414_4bands_EO_FMM.jpg Photography - Fort McMurray Burn Scar (2022) - Make it stand out Four Bands, 2019 © Alan McFetridge https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/5957857d-8905-4578-a228-e4cdc4ce8477/Songs+of+The+Dead_Partnershships_01.jpg Photography - Fort McMurray Burn Scar (2022) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://alan-mcfetridge.com/photography/harvest-2022-ezta6 monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/477efd1e-c8c0-4617-956f-4636400269fe/AM_Burnt_Maize.jpg Photography - Harvest (2022) Harvest 2022 © Alan McFetridge https://alan-mcfetridge.com/photography/canadian-pryocene-2023-56mts monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/59014e9f-608b-4d2c-bb2c-574e1211ff3a/2023-05-29-Cloud-007_4000px.jpg Photography - Fire Clouds, Canada (2023) - firegrams PyroCB. May 29 2023, 150kms North West of Fort McMurray, Alberta, Canada. Location -112.841026,58.040894. Scale: circle radius is 75kms https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/6cf11c64-bcca-4aca-b536-956aedfa5b54/June_2_1_wide.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/f86b40b6-0780-44ca-a79b-1c89c6631df7/June_2_1_CUP.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/cff3d4e4-9981-4fde-9198-09d0fd58db51/May_3_1_w.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/cb6f5be6-00d8-425e-b14f-534dc1accf49/May_3_1_cu.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/d9c20407-1fe5-4eaa-ab07-fd5398e16fb6/May_1_2_Wide.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/cd4623b1-9e7f-4780-b50b-ea19442a82e2/May_1_2_C_UP.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/6283172b-54d8-40c6-b552-5c298e60e7e2/2023-05-03-Cloud-004_W.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/57859e4f-2120-469c-9e7d-731de326a55b/2023-05-03-Cloud-004_CUP.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/75ea2b5d-c51e-4a5b-a0f1-fee686e050fb/BurnScar_001_2023-05-04.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/abf88d25-e0c1-4189-b157-abf701a5f1ed/BurnScar_001_2023-05-14.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/532b4899-613f-4092-8986-1f4c1e9d33a4/2023-05-29-Cloud-007_W.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/05fbc64e-ed11-4b6d-a1a1-87a16a20079f/2023-05-29-Cloud-007._CUPjpg.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/44cd8960-87db-4eb0-ae85-24d3c7e242af/BurnScar_002_05-05-to-06-15_1.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/7e7934e2-288c-4da7-a749-6b005d27193e/BurnScar_002_05-05-to-06-15_2.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/eb18cea4-0a3f-46ae-97d5-71cc877a2afe/BurnScar_002_05-05-to-06-15_3.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/3a8c7d95-ea79-4f1d-9bef-2512cea10b9f/BurnScar_002_05-05-to-06-15_4.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/4d8bc65f-c042-414f-b9ab-5d905fe4570f/BurnScar_002_05-05-to-06-15_7.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/77234400-a65d-4362-8ac8-960d7c19d1fb/2023-02-13-Cloud_016_AUGMaster.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/7ac69707-c830-4541-ae0b-8c144fd3d03d/2023-02-13-Cloud_016_Feb_Master.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/24fdadad-b056-48ab-a955-78f3de573a64/2023-02-13-Cloud_017_Aug.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/4c4e4730-ddc9-47a9-ae7b-454c12cabda0/2023-02-13-Cloud_017_Feb.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/b8066f3f-cf74-4b22-997a-7d0bbbb1281b/2023-02-13-Cloud_015__Aug.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/90d55cd4-fe54-4361-8c84-cc0c079e9749/2023-02-13-Cloud_015__Feb.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/04c1c77f-3c2f-4938-bcb8-ea593a0b1270/2023-07-26-BurnScar_003_FC.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/77cc9269-086a-48d5-8684-b2b35344d9a1/2023-07-26-BurnScar_003.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/77a5ccc3-3864-432e-bc27-005281c85f28/2023-07-12-Cloud_012_Large_FC.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/832cf623-3475-4a05-93af-c7ea4607494f/2023-07-12-Cloud_012_Large.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/4771f63d-d401-459c-81e8-da989175d95a/2023-07-12-Cloud_012_Small.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/e6702141-12fd-45d6-8c67-ca02e4709af0/2023-05-31-Feb23.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/d8707d4e-246b-421f-b83f-46e1e59ac23b/2023-05-31-true-color.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/ef12abd1-82c6-4a0b-b174-56bbbbb7b4a8/2023-05-31-CUP.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/c0e989f6-01b5-4a04-bcee-72d62bbfa825/2023-08-13-Cloud_021_Wide_1.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/62557ed6-627a-4d0b-9cf3-f44674af24ee/2023-08-13-Cloud_021_CUP.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/aae42fc0-428c-4b96-a4bd-3f14edb68a19/2023-07-27-Extra_Wide.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/cded2dd8-8c29-42d4-9301-174c02aa63c6/2023-07-27-Wide.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/134a65ca-d02b-4857-8fb6-57f17f80e725/2023-08-05-Cloud_---_Kaloomps_wide.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/6e6c818a-96bb-4a13-affd-4dcd7a71925e/2023-08-05-Cloud_---_Kamloomps_CU.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/8c18561f-e06c-46b2-ad4d-ec5acca6daf7/2023-06-08_Cloud_011_Wide.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/2925778c-949c-4825-86f4-427cf2e67d41/2023-06-08_Cloud_011_CUP_1.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1cb9542c-7ad3-4952-b200-79c7aba4d961/2023-06-08_Cloud_011_CUP_2.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/6b1fd28b-5266-4873-bb59-12f22655b92a/2023-06-08_Cloud_011_CUP_3.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/6589ac3d-62bd-4d9d-b2e5-149bf9b19bf2/2023-07-22_1.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/7badef66-8187-4a27-b8f0-44adf296cd61/2023-07-22_2.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/cd0334e3-70c8-4c73-b192-7cb5b3550adc/2023-05-16-Cloud-009.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/eeab1a58-f1ac-4411-8a38-0512e1d32482/2023-08-13-Cloud_021_Wide_2.jpg Photography - Fire Clouds, Canada (2023) https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/c8b34008-5a1f-4324-8597-70fa43955bfe/PB-over-time.png Photography - Fire Clouds, Canada (2023) - Make it stand out Above: The evolution of the planetary boundaries framework. Published 13 Sep 2023. Earth beyond six of nine planetary boundaries. Credit: Azote for Stockholm Resilience Centre, Stockholm University. Based on Richardson et al. 2023, Steffen et al. 2015, and Rockström et al. 2009 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1519136031176-M6EQJGFEY2HBXIMY3U51/AMC_WFWSWE_118.jpg Photography - Fire Clouds, Canada (2023) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/0e8d67f4-5ce4-45a6-91d1-d042460685c4/AM_DeadEnd_025.jpg Photography - Fire Clouds, Canada (2023) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://alan-mcfetridge.com/photography/holland-park-artist-residency-202425-lgd8n monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/d4ad23e5-9372-4ea0-93fe-bb1de2ef1b3b/AM_Tree_1_Medina.jpg Photography - Holland Park Artist Residency - Make it stand out Living Under The One Tree, Holland Park. June, 2025. by Alan McFetridge. https://alan-mcfetridge.com/photography/residency-log-2025-5z4e2 monthly 0.5 2026-05-19 https://alan-mcfetridge.com/photography/holland-park-artist-residency-2026-hnk8a monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1fc66e1e-c81c-4f6f-97da-72e94265c02f/BN_Framed_Poster._2jpg.jpg Photography - Sensing Earth | Artist Residency (2026) - Make it stand out Limited Edition A2 Print https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/aca40dda-c5fc-479c-bff1-c9693d917116/Table-for-poster_Sensing-earth-1.jpg Photography - Sensing Earth | Artist Residency (2026) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://alan-mcfetridge.com/photography/ten-year-arc-fort-mcmurray-wildfire-le4wf monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/fd459bdb-3807-45a8-aa5f-e899dd4c8c20/A-Ten-Year-Arc-INSTA.jpg Photography - Ten Year Arc (2026) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://alan-mcfetridge.com/els daily 0.75 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/a35c3c2c-d0cc-49f9-a25b-44016232ab6a/ELS_08052023_Audrey_Green_Gallery_NPG_11+copy.jpg EAST LONDON SUPERLAB - National Portrait Gallery PROJECT SHOWCASE https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/8f055aa0-7352-40ad-a52a-1efbfd1517bc/240715_Studio_Interiors-and-framed-prints51770.jpg EAST LONDON SUPERLAB - Make it stand out Kitchenette, custom work table and viewing area. The framed picture is for scale, 1600mm x 1950mm. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/8a61e57f-9b33-42f5-a264-00449ae56ce7/240715_Studio_Interiors-and-framed-prints51766.jpg EAST LONDON SUPERLAB - Make it stand out Print viewing area and custom made work table. The walls are used for arranging and viewing prints, either daylight or 5000K LED. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/cae71559-368c-43cc-9504-ca76e56ac08d/CF051785.jpg EAST LONDON SUPERLAB - Make it stand out Retouching Suite with latest generation Epson https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/297daf62-4129-4f83-b519-cfd7c1db4b92/CF051796.jpg EAST LONDON SUPERLAB - Make it stand out Digital Workstation https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1721497057308-OQ3XEQGWSRU80GVCDEC8/PA_ELS_ARTISTS.jpg EAST LONDON SUPERLAB - PA_ELS_ARTISTS.jpg https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1721497057569-8UI3CO7YH2I5WH297UZP/TO_1_ELS_ARTISTS.jpg EAST LONDON SUPERLAB - TO_1_ELS_ARTISTS.jpg https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1721497058477-NUMHKSKP2PRSKMTHHO0H/CM_ELS_ARTISTS.jpg EAST LONDON SUPERLAB - CM_ELS_ARTISTS.jpg https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1721497058693-CKE2OJ22B622NL315EEN/Yevonde_JohnGielgud.jpg EAST LONDON SUPERLAB - Yevonde_JohnGielgud.jpg https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1721497059736-3DB9G0CVRE4FPDGD7L7H/Yevonde_Daisy.jpg EAST LONDON SUPERLAB - Yevonde_Daisy.jpg https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1721497060129-Z1UHHYSCB7ZOPHMLLELC/Paul_McCartney_1.jpg EAST LONDON SUPERLAB - Paul_McCartney_1.jpg https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1721497060901-ONXODT1SBG8AECWUE9YT/O%27neil_1.jpg EAST LONDON SUPERLAB - O'neil_1.jpg https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1721497061499-O0333U4W72UQF4BVPVFV/Yvonde_1.jpg EAST LONDON SUPERLAB - Yvonde_1.jpg https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1721497062272-UIPMUI7G1Z1ENW4M8F4W/Angus_Fontyne_1.jpg EAST LONDON SUPERLAB - Angus_Fontyne_1.jpg https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1721497062404-QVO10X9134SJQYY1M89Q/HARRY_Diamond_1.jpg EAST LONDON SUPERLAB - HARRY_Diamond_1.jpg https://alan-mcfetridge.com/els/npg-showcase1-het6w monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1691849189934-06N3NXUU3L1VD3EOAEOQ/Exteriors_5_Master.jpg EAST LONDON SUPERLAB - NPG Showcase - Make it stand out Above: National Portrait Gallery and Audrey Green, Trafalgar Square, London, June 2023 — photograph by Alan McFetridge 2023. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/5eeb8a8b-0145-4d01-8bc2-40ca535d1c62/ELS_08012023_Audrey_Green_Gallery_NPG_06.jpg EAST LONDON SUPERLAB - NPG Showcase - Make it stand out Above: Ground Floor Audrey Green Cafe, left to right: Artist:Angus McBean (1904-1990) Title: Margot Fonteyn (1951) Original print: Bromide print, 244 mm x 198 mm Remastered print: Archival ink on baryta-coated cotton paper, 1293mm x 1092mm, 2023 Alan McFetridge. Artist: Bassano Ltd (active 1901-1962) Title: Audrey Hepburn (1929 - 1993) in costume for 'The Secret People' Original print: Bromide print, 21 November 1950, 200 mm x 154 mm, Remastered print: Archival ink on baryta-coated cotton paper, 1724mm x 1373mm, 2023 Alan McFetridge. /Artist: Lord Snowdon (1930 -2017) Title: Marie Rambert (1888-1982) Original print: Gelatin silver print, 396 mm x 266 mm. 18 February 1976, Remastered print: Archival ink on baryta-coated cotton paper, 1724mm x 1373mm, 2023 Alan McFetridge. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/f3beac3e-8ae9-48cd-95f6-f24d2dadc224/ELS_08012023_Audrey_Green_Gallery_NPG_03.jpg EAST LONDON SUPERLAB - NPG Showcase - Make it stand out Artist: Angus McBean (1904-1990) Title: Audrey Hepburn (1929 - 1993) Original print: Bromide Print, 495mm x 380mm, 1950. Remastered print: Baryta Coated Cotton Rag and Archival Ink, 1642mm x 1250mm, 2023 Alan McFetridge. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/bf825c69-2704-4abd-b376-8bf4b26e52c5/ELS_08012023_Audrey_Green_Gallery_NPG_07.jpg EAST LONDON SUPERLAB - NPG Showcase - Make it stand out Artist: Chris Garnham, (1958-1989) Title: Michael Clark, (1962-) Original print: Bromide print, 294 x 290 mm, 1984 Remastered print: Baryta Coated Cotton Rag and Archival Ink, 1267 mm x 1250 mm, 2023 Alan McFetridge. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/faf0962c-64b7-4e4b-bb47-175c2163c48c/ELS_08012023_Audrey_Green_Gallery_NPG_08.jpg EAST LONDON SUPERLAB - NPG Showcase - Make it stand out Above: Audrey Green Gallery View from Left to Right: Artists: Yevonde, Carl Van Vechten, Yevonde, Yevonde, Angus McBean, Yevonde, Yevonde and Carl Van Vechten. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/3e9efbd3-7ff1-4ff6-a490-7a3f505e1f05/ELS_08012023_Audrey_Green_Gallery_NPG_05.jpg EAST LONDON SUPERLAB - NPG Showcase - Make it stand out Above: Audrey Green interior with George Harrison in Miami by Sir Paul McCartney (1964) printed to 2400mm x 3600mm — photograph by Alan McFetridge 2023. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/29dbd8ae-300c-4f40-88fb-df9f8f2be39c/ELS_08182023_Audrey_Green_Gallery_NPG_04.jpg EAST LONDON SUPERLAB - NPG Showcase - Make it stand out Above: Audrey Green interior ground floor gallery from internal entrance. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/4a0aaa11-9e9a-4585-a92c-be46d3761244/ELS_08012023_Audrey_Green_Gallery_NPG_09.jpg EAST LONDON SUPERLAB - NPG Showcase - Make it stand out Above: Audrey Green interior ground floor gallery view from St Martins Lane Entrance. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/4598f430-b3d5-4743-ba29-83adec19ca98/Exteriors_1_Master_A.jpg EAST LONDON SUPERLAB - NPG Showcase - Make it stand out Above:Audrey Green Entrance on St Martins Lane, London. https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/ddeb15dc-715e-4cfa-af2b-94f024085e95/ELS_08182023_Audrey_Green_Gallery_NPG_01.jpg EAST LONDON SUPERLAB - NPG Showcase - Make it stand out Above: Audrey Green entrance on St Martins Lane, London. https://alan-mcfetridge.com/els/print-studio-1-z767t monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/1af1c5f6-e54a-4889-982e-bf9b40923a09/211214_ESL_Interior_01.jpg EAST LONDON SUPERLAB - Personal Print Laboratory - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://alan-mcfetridge.com/els/project-printing-1-zears monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/4ae15925-d2d1-449b-90ce-39ee37b279d7/211214_ESL_Interior_03.jpg EAST LONDON SUPERLAB - Custom Printing - Make it stand out Above: The Print Studio https://alan-mcfetridge.com/els/first-base-1-e2ftb monthly 0.5 2026-05-19 https://images.squarespace-cdn.com/content/v1/56fa5039ab48de7b72cbe537/ec43eda6-2de0-41ad-91c6-cbaaa842e299/211214_ESL_Interior_02.jpg EAST LONDON SUPERLAB - Print Self-Service - Make it stand out Above: Print Studio